Sharon Prince’s Welcome Address | Design for Freedom Summit 2026

The Design for Freedom movement reached a new milestone on March 26, as Grace Farms hosted its fifth annual Design for Freedom Summit, convening leaders from architecture, construction, technology, manufacturing, academia, and government to advance the global push toward a more ethical built environment. The day-long Summit brought together voices from across sectors to tackle some of the built environment’s most pressing challenges, including U.S. foreign policy and how it can be used to help end forced labor, ethical sourcing for data centers, material circularity in construction, the narratives of monuments in underrepresented communities, and ethical decarbonization.

Reflecting the movement’s growing reach, Grace Farms announced four new Design for Freedom Pilot Projects, including two international projects. Grace Farms also recognized student leaders who won the 2026 ACSA Design for Freedom Competition for architecture students. More than 550 leaders attended this year’s sold-out Summit, as well as students from 21 colleges and universities nationally.

Featured speakers included Sharon Prince, CEO and Founder of Grace Farms; Ambassador Cindy Dyer (ret.), Former U.S. Ambassador-at-Large to Monitor and Combat Trafficking in Persons; Dave Wildman, Global Head of Data Centers of Infrastructure & Workplace Sustainability at Bloomberg; Jha D Amazi, Principal, MASS Design Group; architects Toshiko Mori and Kai-Uwe Bergmann, Partner, BIG.

“Five years ago, we asked a simple but urgent question: what if the buildings we design and inhabit were built with the full dignity of every person who harvests, mines, and processes the materials that make them possible? Today, that question is a global movement. This is our moment.  The construction industry is now positioned to become a global leader in supply chain transparency and human rights.” – Sharon Prince

Below is Prince’s opening Summit address in its entirety.

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Hello, and welcome to the Fifth Annual Design for Freedom Summit.  Five years!

You’re bringing the sunshine, that’s for sure. All right. Five years ago, we posed a simple but urgent question: What if the buildings we design and inhabit are actually built with the full dignity, with those that harvest, that mine and process the very materials that are within them?every person who harvests, mines, and processes the materials within them?

Sharon Prince, CEO and Founder of Grace Farms, at the entrance of the River building’s Sanctuary. (Photo by Melani Lust)

So today, because of you and thousands of others, that question has become a global movement.

In the life of a movement, five years is a foundation. It is the time required for the reports, the research, the presentations that ground us. But for the 28 million people trapped in forced labor around the world — working in inhumane conditions to produce the very materials of our built environment — five years is a lifetime.

We refused to stay at a standstill.  We are creating a radical paradigm shift to remove exploitation from the building materials supply chain and ignite institutional responses. We said what we would do, and we are doing it together.

When I look around this room, I am looking at leaders, designers, manufacturers, and innovators gathered from across the globe. One thing is clear: This movement is accelerating.

Well over 50,000 people have directly engaged with Design for Freedom through presentations, outreach, and global events. And then add in the ripple effect.  Since Grace Farms opened 10 years ago, one million people have crossed over the words “Grace and Peace” etched into the Plaza walkway — which is both a welcome and an invitation.

Chelsea Thatcher, Chief Strategic Officer & Founding Creative Director, Grace Farms, left, discusses the innovative approaches to ethical sourcing with the contributors to the With Every Fiber exhibit. (Photo by Melani Lust)

And now, global leadership matters. Corporate engagement, where it matters because it is both a human rights and business issue, has increased exponentially.  We have 20 corporate sponsors today, including the largest firms in the built environment, Skanska, Turner, Sciame, Assa Abloy, Shaw and leaders of industry presenting that can sway the marketplace — Bloomberg, Google, Saint-Gobain, Durst, and iMasons.  25 Promotional Partners.  Thank you all. Fast Company came on board as our lead media sponsor along with Architectural Record, Metropolis, Architype and Oculus at the table.  Grace Farms Tea & Coffee has created an ethically and sustainably sourced coffee blend for JPMorganChase, now served to their 10,000 employees. And soon we’re going to be opening a Grace Farms Tea & Coffee public café at the base of their new Manhattan headquarters! Incredible, right? You’re going to see that happen like the next few months.

We’ve also launched a dozen Pilot Projects on three continents.  More will be announced today with AEC teams and owners on board.  Perhaps one even on another continent.

Incredible, right? You’re going to see that happen like in the next few months. And all these things, these numbers really don’t capture it all.

We are witnessing a compounding effect. Here, we make a commitment and then figure out how to do it. People and companies like yourselves are doing the same. And all these things, these numbers really don’t capture at all. They’re really talking about it; but also taking the baton and running with it.

Architects are demanding transparency. Construction firms are working to normalize fair labor inputs. Manufacturers are pivoting and changing their practices. Students are entering the workforce armed with really important hard questions.  Simultaneously, policymakers are escalating modern-day slavery legislation and corporate accountability. Every stakeholder in this complex value chain holds power—but our most essential task is empowering rightsholders. To correct the severe power imbalances in global supply chains — the voices of workers, farmers, and local communities must be at the center.

We have reached a definitive inflection point. Geopolitics has thrust supply chains into a spotlight we couldn’t have imagined five years ago. Just last week, forced labor moved to the forefront of global trade negotiations, even as democracy and human rights are threatened.

‘Plausible deniability’ cannot be used as a backstop anymore.

The materials of our trade—steel, concrete, timber, and glass—are now a part of the global conversation on critical minerals and global dependencies. And with the explosion and growth of AI, data centers are being scaled at a staggering pace, consuming these same materials in massive quantities.

Toshiko Mori, Principal, Toshiko Mori Architect PLLC; Professor, Harvard University Graduate School of Design, Kai-Uwe Bergmann, Partner, BIG, Sharon Prince, CEO & Founder, Grace Farms, and Gustavo Ferroni, Program Manager, The Freedom Fund. On their panel they discussed the cultural context and risk in the global timber supply chain. (Photo by Melani Lust)

This is our moment. The construction industry—traditionally considered a laggard—can become a global leader in supply chain transparency and human rights. While our sector is often considered the least modernized, it also stands to benefit the most from the AI revolution.  But to truly benefit and really yield potential, we must first pour a foundation of dignity.

Design for Freedom is a movement focused on the materials that shape the largest, highest at-risk industrialized sector on Earth. And from the start, we chose a deliberate, multi-pronged approach because radical transformation requires both a top-down and bottom-up approach.

It’s also a rarity for Design for Freedom to be accelerated from within the industry and it is clearly aligned with leading sustainability associations, which you’ll see here this afternoon.  So you can see Design for Freedom is a herculean effort, but it  can also make an enormous impact due to the sheer weight of the construction sector at 13% of global GDP.  Slavery doesn’t reverse on its own and it does need intervention.

Sharon Prince, CEO & Founder, Grace Farms, in conversation with Cindy Dyer, Former U.S. Ambassador-at-Large to Monitor and Combat Trafficking in Persons; Chief Program Officer, McCain Institute. (Photo by Melani Lust)

Today, we invite more of your expertise and due diligence.  We are normalizing conversations about fair market pricing in an industry known for its thin margins.  People often ask, “Is this going to cost more?”  Instead, we ask, “Are you willing to accept the slavery discount?”

So, we are chipping away to map supply chains and create transparency.  We are prioritizing and documenting circularity that truncates the supply chain at the extractives, where it’s the highest risk of exploitation. An automatic lever. I feel like it’s  double. You can really serve immediately the planet and also serve humanity at the same time.

Many of you are using the Design for Freedom Interoperability Chart that can guide usage of many tech platforms available to us today. And there’s more that are proliferating. Acelab added Design for Freedom Principles to its new Materials Hub for our sector.  Design for Freedom is a partner in the World Economic Forum’s (WEF) Global Data Partnership Against Forced Labor. And there is yielding also new ways to consider federated data. We’re going to talk about that later.

And speaking of technology, we cannot address the future of forced labor in the built environment without talking about the explosion of AI.

AI a double-edged sword. On one edge, artificial intelligence offers us unprecedented tools for supply chain transparency to identify risk patterns, trace materials and illuminate dark corners of global commerce in ways we could not have imagined even a few years ago.

Nora Rizzo, Ethical Materials Director, Grace Farms, Moderator, Dave Wildman, Global Head of Data Centers, Infrastructure & Workplace Sustainability, Bloomberg, Miranda Gardiner, Executive Director, iMasons Climate Accord, and Noah Goldstein, Sustainable Construction Lead – Data Centers, Google, discuss ethical sourcing and circular construction in data centers. (Photo by Melani Lust)

But here’s the other edge: the servers and data centers powering this AI revolution are themselves being built at hyperscale, right now, without adequate material inspection.  AI-related categories contributed to roughly 39% of total GDP growth in 2025 alone. New mines are coming online to supply the copper, cobalt, and lithium these facilities demand.  Urban mining is quickly shifting from a nascent concept to a critical industrial strategy driven by resource scarcity and instability in global supply chains.  As of 2025, only about 16% of raw materials used in major economies are secondary, recycled.  I am super excited about the partnership with Saint-Gobain, Durst, and Infinite Recycled Technologies. It is literally taking the architectural glass from landfills and putting it into insulation products.

We must stay focused, and we must do this to invest in ethical and sustainable solutions during this new sector’s birth and boom cycle. This is why today’s program and next year’s Summit will specifically address both mining and data centers because we must get this right as we build our future. And we must move from literally taking extracted material mindset to a model of land and cultural reverence.

As Professor and author Robin Wall Kimmerer, who lectured here at Grace Farms earlier this month, reminds us, “all flourishing is mutual.” There are many professors and students here today, about 100 from 25 universities. Where are you? I want to see if they made it. There you are. So you have literally brought your class, I think for the last five years, and so tremendous. You can see how there’s a compounding effect. And we’ve deliberately put into our plan next-generation leadership for Design for Freedom

Students from the New York Institute of Technology (NYIT) with Sharon Prince, center, and Illya Azaroff, Professor at New York City College of Technology and President of the AIA American Institute of Architects, far right. (Photo by Melani Lust)

As we look ahead to the next five years, our race to Design for Freedom will meet the technology race head on.  We aim to upend AI right where we have the ability to do so.  AI cannot flourish without the datacenters, the servers, the infrastructure you are building.  So, when 46 miles of deep foundation piles and 26 million pounds of structural steel are specified and procured, we are advocating for your pressure points to be clear. Think about that power.  We must build without using the slavery discount, without exploitation built into the next generation of AI or the next generation of workers.

Even more broadly, for every building to tell a story of dignity, I hope you will figure out the next step you will take, the next partnership, the next building, and the next research project that will help steer the built environment towards human dignity and respect.

Thank you for being here. Thank you for taking up the baton. Thank you for being part of this movement.

Now let’s get to work.

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About Grace Farms

Grace Farms is a cultural and humanitarian center in New Canaan, Connecticut that brings people together across sectors to explore nature, arts, justice, community, and faith at the SANAA-designed River building and Barns on 80 acres of publicly accessible natural landscape. Since opening in 2015, Grace Farms has welcomed 1 million visitors from around the world to experience its unique integration of arts, architecture, nature, and purpose.

As a destination for arts and culture, Grace Farms presents innovative programming in music, visual and performing arts while fostering contemplation and connection through architecture and nature. Its humanitarian work includes leading the Design for Freedom movement to eliminate forced labor in the building materials supply chain and advancing initiatives to foster more grace and peace locally and globally.

The integration of cultural programming and humanitarian action reflects Grace Farms’ collaborative approach to generating new outcomes and meaningful change.

Membership

Grace Farms members can visit without advance registration and enjoy a 20% discount on paid programs, retail, and dining, invitations to members-only gatherings, complimentary events, and a welcome gift from Grace Farms Tea & Coffee.

Becoming a member helps us advance our mission to pursue a more peaceful world and supports the preservation of the River building and its surrounding 80 acres.

For more information, visit gracefarms.org/membership.

Visit our calendar of events to learn more about upcoming programs.

Sign-up for our newsletter

Follow us

@gracefarmsct #gracefarms

Grace Farms | Awe & Life’s Deeper Meaning

“Creating an ambulatory experience keeps you moving forward into the awe and wonder of nature, toward the distant ponds and meadows, less tethered to technology, casting your views upward.” – Sharon Prince

From profound acts of kindness to transformative performances that expand our sense of belonging, certain experiences evoke awe. Awe can be difficult to articulate, yet we recognize it when we feel it – that moment when something vast or beautiful compels us to consider life’s deeper meaning.

In Sharon Prince’s inaugural Grace Farms Lectures with Concert, she described the immersive journey of creating Grace Farms, a cultural and humanitarian center that brings people together to explore nature, arts, justice, community, and faith, as an awe-evoking process. The vision began with the land itself, she said. “Our natural, living landscapes inherently hold awe and wonder, so by preserving and honoring these 80 acres and long vistas, we started off on the right foot.”

Sharon Prince launches the inaugural Grace Farms Lectures with Concert series, which brings together visionary global leaders. The lectures are followed by a chamber music concert curated by Grace Farms Artist-in-Residence Arlen Hlusko. (Photo by Melani Lust)

Prince intentionally oriented the yearslong design of the award-winning River building and Barns around nature. After acquiring 80 acres slated for development, Grace Farms Foundation restored the former equestrian facility into a nature preserve with 10 biodiverse habitats, including native meadows and woodlands. Awe, she noted, can arise from the vastness of nature, encounters with art and architecture, collective gatherings, profound kindness, or even big ideas and epiphanies.

Benefits of Awe

In her lecture Grace and Peace | Space Communicates, Prince reflected on being “highly influenced” by her 16 trips to Iceland’s breathtaking, endless landscapes and her travels across 52 countries.

“Awe provides significant social benefits – it fosters generosity, connects individuals to something larger than themselves, and offers a vital counterbalance to modern life’s individualism, stress, and division,” Prince said. “We become more receptive to new information, new experiences, and life’s deeper meaning.”

In discussing awe, Prince referenced the research of Dr. Dacher Keltner, Distinguished Professor of Psychology and Co-Director of the Greater Good Science Center at UC Berkeley. In his 2023 book, Awe: The New Science of Everyday Wonder and How It Can Transform Your Life, Dr. Keltner explores awe as a fundamental human emotion.

“Awe is the emotion we experience when we encounter vast mysteries that we don’t understand,” he writes. “Because we have a basic need for awe wired into our brains and bodies, finding awe is easy if we just take a moment and wonder.”

Interestingly, Prince had already sought to design an experience of “awe and wonder” before encountering Dr. Keltner’s research a few months prior to Grace Farms’ opening in October 2015. “As it turns out,” she reflected, “they play a significant part in advancing good in the world.”

That belief shaped Grace Farms’ early commitment to confront modern slavery. “Our stake in the ground at opening was to address and eradicate modern-day slavery by putting people in proximity to this most brutal, egregious human rights issue – in a hopeful place, so that we, as a society, would be drawn into doing our part versus being repelled which I had often seen since 2001.”

Since opening, more than one million visitors have encountered aspects of awe and wonder through Grace Farms’ initiatives across nature, arts, justice, community, and faith. Interconnected, the collective work has led to outcomes such as Design for Freedom, a global movement launched in 2020 to eliminate forced labor in the built environment. To date, more than 2,550 industry leaders have attended the Design for Freedom Summit, over 50,000 professionals have been educated through global lectures, workshops, and programs, and over 12 Design for Freedom Pilot Projects have been launched across three continents.

“There has been a deeply seeded fire in me to shorten the timeline for the Design for Freedom movement to take hold. We don’t have 30 years to make amends and for DFF to take hold like the Green Building movement did – we aimed for five years,” Prince said.

Design for Freedom has “taken hold” within five years. Besides Prince’s own desire to eliminate forced and child labor in the built environment, Dr. Keltner might also add that awe also factored into building momentum.  Awe, he says, can be a “collective” emotion that motivates people to do seemingly impossible goals for the greater good.

Even on a personal level, Dr. Keltner says awe is a “salve for a turbulent mind,” beneficial not only emotionally but physically, according to The New York Times. Additionally, a 2025 study from Harvard T.H. Chan School of Public Health and the Natural Capital Project at Stanford University, found that even 15 minutes spent in nature can provide significant mental health benefits.

In the sold-out  event on March 7, Dr. Robin Wall Kimmerer, botanist and member of the Citizen Potawatomi Nation, invited the public to explore how we might reimagine our relationship with the living world in her Grace Farms Lectures with Concert. In her book, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants, Dr. Kimmerer calls for a shift from unchecked consumption to reciprocity and care – a transformation rooted in wonder, gratitude, and responsibility.

Reimagining our relationship with each other and the world may also require hope, that change given all our societal challenges is indeed possible. “A space infused with light communicates hope,” Prince said. “When building, light is one of the critical determinants of spatial dignity.” “The River building was the only building at opening with 203 individually sized and curved glass panels installed on site.” The River building’s open architecture is designed to break down barriers between people and nature, inviting conversation, curiosity, and proximities.

Music & Awe

The elimination of these barriers can be profoundly experienced within Grace Farms’ 700-seat Sanctuary, an indoor amphitheater for lectures, events, and performances. Overlooking the expansive landscape,  world-class performances in this one-of-a-kind setting – from Yo-Yo Ma to the London Philharmonic Orchestra – deepen our sense of beauty and belonging.

Yo-Yo Ma (Photo by Austin Mann)

“Music does evoke a sense of wonder and awe for lots of people,” neuroscientist Daniel Levitin of McGill University noted in a 2023 NPR interview. In the same article, Dr. Keltner added that awe-inducing experiences like music can counter one of the epidemics of our time: loneliness. Through shared experience, we feel part of a community. That sense of belonging directly supports our health and well-being.

Grace Farms celebrated its ninth anniversary with a special benefit performance by a 31-musician chamber ensemble of the London Philharmonic Orchestra (LPO), conducted by LPO 2023/24 Fellow Conductor Luis Castillo-Briceño.

“Our spaces communicate values that will either contribute to disruption and exploitation or grace and peace – human flourishing,” Prince said.

As Grace Farms launched its 2025–2026 season, Chief Strategic Officer and Founding Creative Director Chelsea Thatcher, reminded us: “We all build,” each of us having a stake in advancing good, locally and globally. Perhaps recognizing our individual and collective contribution begins with a pause – a moment to reflect on purpose and possibilities. “I have long loved to perch on roofs, where boundaries are not seen and the possibilities are as open as the landscape,” Prince said. “Seeing possibilities is the beginning of creating something new.”

Sharon Prince on the River building’s single long roof, designed to flow like a “river” along the natural contours of Grace Farms’ expansive landscape. (Photo by Dean Kaufman)

While rooftop gazing may not be always possible, we can immerse ourselves in the awe and wonder of nature, music, architecture, and acts of great kindness. Less tethered to technology, we can cast our views upward and beyond.

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About Grace Farms

Grace Farms is a cultural and humanitarian center in New Canaan, Connecticut that brings people together across sectors to explore nature, arts, justice, community, and faith at the SANAA-designed River building and Barns on 80 acres of publicly accessible natural landscape. Since opening in 2015, Grace Farms has welcomed 1 million visitors from around the world to experience its unique integration of arts, architecture, nature, and purpose.

As a destination for arts and culture, Grace Farms presents innovative programming in music, visual and performing arts while fostering contemplation and connection through architecture and nature. Its humanitarian work includes leading the Design for Freedom movement to eliminate forced labor in the building materials supply chain and advancing initiatives to foster more grace and peace locally and globally.

The integration of cultural programming and humanitarian action reflects Grace Farms’ collaborative approach to generating new outcomes and meaningful change.

Membership

Grace Farms members can visit without advance registration and enjoy a 20% discount on paid programs, retail, and dining, invitations to members-only gatherings, complimentary events, and a welcome gift from Grace Farms Tea & Coffee.

Becoming a member helps us advance our mission to pursue a more peaceful world and supports the preservation of the River building and its surrounding 80 acres.

For more information, visit gracefarms.org/membership.

Visit our calendar of events to learn more about upcoming programs.

Sign-up for our newsletter

Follow us

@gracefarmsct #gracefarms

Dancing Trees | How Nature Shapes Design

Books such as the Secret Lives of Trees and The Architecture of Trees invite us into a rarely seen world, revealing how trees grow, how they support one another, and how they are part of a complex and beautiful web of life that is critical to the health of our planet. Beautiful and majestic, each species, with its unique characteristics and contributions, also serves as a source of inspiration for architectural design.

The 17-century Chêne Chapelle in France, for instance, was built into an ancient oak tree, according to Grist. Although lightning hollowed out its center, the tree surprisingly continued to live, even producing acorns. The clergy at the time believed that the fact that the 800-year-old oak tree continued to thrive after the lightning strike meant that the oak was imbued with “divine” powers. Rather than have the chapel dictate the design, the architects or builders embedded the chapel in the hollowed-out oak, following its natural contours.

Centuries later, nature is still influencing architectural design. Biophilic design has integrated nature into design to enhance our connection to the environment. For instance, the Ford Foundation’s 12-story-high atrium in New York is filled with magnolias, eucalyptus, jacaranda, pear trees, and more, while Singapore’s Jewel Changi airport features 2,500 trees, native to Madagascar, Australia, Malaysia and Indonesia, according to an AP article.

But what if nature were the actual designer, going beyond just mere integration with architecture? Last year Grace Farms intentionally set out to design seating with that in mind. For Grace Farms’ 10-year anniversary last October, the foundation commissioned Kazuyo Sejima to design six site-specific sculptural benches for the Plaza, a welcoming space flanked by two renovated barns, with the center of the grassy Plaza surrounded by fruit trees. Sejima and Ryue Nishizawa (SANAA) designed Grace Farms’ award-winning River building and Barns. Dancing Trees (2025) are six site-specific sculptural benches that conform to the natural curves of the black cherry wood, which was sourced nearby in Western Connecticut.

The journey of making Dancing Trees is featured in a short film that premiered at Grace Farms’ Humanity in Architecture Film Festival in January, hosted in collaboration with Architecture & Design Film Festival. In the film, Kimbery Kelly, our Director of Horticulture, discusses the characteristics of black cherry, how it grows, and why certain trees were chosen for Dancing Trees. In this Perspective, Kelly takes us on a deeper journey into why this species was chosen and the importance of listening to nature.

Even though they are anchored in the soil, plants move, performing dances in their amazingly complex world. – Kimberly Kelly

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Look at the forest, or any natural setting: there is an intricate tapestry woven together, revealing a symphony of movement and life. Even though they are anchored in the soil, plants move, performing dances in their amazingly complex world.  How and where does each leaf, branch, root, or flower need to be to thrive?  What triggers from within send a vine searching upward for the sun, curling around a neighbor? It has been common belief that nature has always had a ‘survival of the fittest’ approach. Now we are learning so much more about cooperation, adaptation, and complex symbiotic relationships that exist in the natural world.

The unveiling of Dancing Trees in the Plaza, the new site-specific sculptural benches designed by Kazuyo Sejima of SANAA. From left to right: Toshihiro Oki, Grace Farms Architecture Advisor Kazuyo Sejima, Sharon Prince, CEO and Founder of Grace Farms, Chelsea Thatcher, Founding Creative Director, Grace Farms. (photo by Melani Lust)

The Shaping of Black Cherry

How do plants move? How do these amazing shapes and patterns grow from a tiny seed, to explore the world around them? Through physiological processes, such as trophic and nastic movements, plants respond to the environment to fulfill their basic needs and, as we are discovering, the needs of those around them.  There are also times when these natural movements are interrupted or respond to other environmental stimuli resulting in unique forms.

As an early- to secondary succession plant in the forest, Prunus serotina (Black cherry), is a rapid grower.  It is also considered an important keystone tree as it is host to over 300 species of caterpillars!  (Tallamy et al). Caterpillars are the second or larval stage in the four-stage metamorphosis of the transition into a moth or butterfly, an important pollinator for flowers, fruits and vegetables.

A Food Source

Black cherry, a fast-growing shade tree with fragrant white flowers that bloom in spring, attract bees and butterflies during this time. And when the fruit ripens in late summer, it’s a food source for over 30 species of birds. (American Beauties, Native Plants). The North American native is a “bird magnate” for Robins, Woodpeckers, Mockingbirds, and more.

Ripened fruit of the Black cherry tree in late summer, a source of food for birds and wildlife. (Photo source: USDA)

As beneficial Prunus serotina is to wildlife and pollinators, Black cherry trees are also highly regarded by architects and designers for their rich, reddish-brown hard wood often used in furniture, cabinets, and veneers. But how they grow, sometimes by a process of natural ‘shaping’ make the Black cherry even more prized. This process is caused by a fungus commonly referred to as Black knot, a serious disease of plum and cherry trees (Prunus species) throughout the United States. While it can get progressively worse over time — stunting a tree’s growth or killing it — the damage may be less severe on sweet and sour cherry trees (The Morton Arboretum).

During the 10-year anniversary celebration, and the unveiling of Dancing Trees, children explored and played around the sculptural benches. (photo by Melani Lust)

Nature as our Partner in Design

Black knot, (University of Minnesota Extension) which would normally be considered entirely detrimental to trees, does have its benefits: As a Black cherry tree naturally grows toward the sun, in a curvature dance with others competing trees for the sun, the fungus can further curve and shape Black cherry. The gall or knot can encircle a limb or branch, restricting the flow of sugars, water, and hormones past the infected site. This imbalance can lead to deformation or curling of the branch beyond the gall. This ‘deformation’ creates some of the most beautiful burlwood, highly valued by woodturners, craftspeople, and decorators.

The incorporation of nature into the fields of architecture and interior design, or Biophilia, defined as the “love of life” in ancient Greece (Arch Daily), continues to take hold. It connects people with nature to improve their well-being and quality of life. Perhaps the next step in the design, as in Grace Farms’ approach to the design of Dancing Trees, is to invite nature to be our partner in the process of building and design.

____________________________

About Grace Farms

Grace Farms is a cultural and humanitarian center in New Canaan, Connecticut that brings people together across sectors to explore nature, arts, justice, community, and faith at the SANAA-designed River building and Barns on 80 acres of publicly accessible natural landscape. Since opening in 2015, Grace Farms has welcomed 1 million visitors from around the world to experience its unique integration of arts, architecture, nature, and purpose.

As a destination for arts and culture, Grace Farms presents innovative programming in music, visual and performing arts while fostering contemplation and connection through architecture and nature. Its humanitarian work includes leading the Design for Freedom movement to eliminate forced labor in the building materials supply chain and advancing initiatives to foster more grace and peace locally and globally.

The integration of cultural programming and humanitarian action reflects Grace Farms’ collaborative approach to generating new outcomes and meaningful change.

Membership

Grace Farms members can visit without advance registration and enjoy a 20% discount on paid programs, retail, and dining, invitations to members-only gatherings, complimentary events, and a welcome gift from Grace Farms Tea & Coffee.

Becoming a member helps us advance our mission to pursue a more peaceful world and supports the preservation of the River building and its surrounding 80 acres.

For more information, visit gracefarms.org/membership.

Visit our calendar of events to learn more about upcoming programs.

Sign-up for our newsletter

Follow us

@gracefarmsct #gracefarms

 

Year-End Milestones & Reflections | We Continue to Build

“And souls are candles, each lighting the other.” — Gennady Aygi, poet

Introduction

On October 10, 2015, Grace Farms published a commemorative book called And Souls Are Candles. One of the poems by Gennady Aygi reminds us of how we each light the way for each other. At Grace Farms, this lighting of ways over the past 10 years, and the unprecedented outcomes that have emerged, have been nothing less than extraordinary.

On that day, Sharon Prince, the visionary CEO and Founder of Grace Farms, converted privately owned land into a first-of-its-kind open space that was free and open to the public. Prince literally started with a “clean slate” — 80 acres that would eventually be turned into 10 biodiverse habitats in perpetuity. In 2010, immersed in the years-long design process, Prince selected Pritzker Prize-winning architects Kazuyo Sejima and Ryue Nishizawa of SANAA to design Grace Farms. From the design process emerged the River building, consisting of five transparent glass-enclosed volumes that winds its way through surrounding natural landscape of trees and meadows.

 “I adopted the belief that architecture, when activated, can play a significant role in creating a more just and equitable world. One of the fundamental barriers to equity is being in the proximity to people and issues,” Prince said in an interview with Madame Architect. In addressing these issues, Prince adopted another unique approach and assembled a multidisciplinary team with expertise across five initiatives — nature, the arts, justice, community, and faith — to tackle complex challenges, including forced labor.

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Redefining What’s Possible

The past 10 years are defined by groundbreaking new outcomes and global initiatives that align with our work in nature, the arts, justice, community, and faith.” – Sharon Prince

Prince’s social-entrepreneurial ethos to catalyzing and problem-solving has redefined what’s possible. Taking on the seemingly impossible has resulted in the following achievements that are now featured in the Peace Forest exhibit. Here are some highlights of the past decade:

  • Launching Design for Freedom, a global movement to eliminate forced and child labor in the building materials supply chain
  • Turing Grace Farms into a humanitarian hub during COVID-19, delivering 2 million critical PPE to close a state-wide gap, in addition to providing thousands of wholesome meals to those in need
  • Launching Grace Farms Tea & Coffee, a Certified B Corp that gives back 100% of its profits to support Design for Freedom
  • Establishing the Design for Freedom Summit that brings together over 550 leaders across the ecosystem of the built environment to address forced labor
  • Expanding Design for Freedom Pilot Projects to three continents
  • Unveiling With Every Fiber Pigment Stone Glass, which reveals the embodied suffering behind pigment, glass, and stone in the construction industry as well as new innovations within those materials that demonstrate that building ethically is possible
  • Achieving dual LEED certification, including LEED Certification Gold for Building Design and Construction (BD+C).
  • Establishing the arts as a central throughline in Grace Farms’ humanitarian and cultural initiatives. Prior to opening on October 9, 2015, Prince and Chelsea Thatcher, Founding Creative Director, invited artists such as the Paul Taylor Dance Company to “warm up” the space while still under construction. Since then, more than 250 acclaimed artists have performed including the London Philharmonic Orchestra in 2024, while others such as Meredith Monk have developed site-responsive work to share beyond Grace Farms.
  • Inviting global leaders including Nobel Peace Prize Laureate Dr. Denis Mukwege, and Indra Nooyi, the trailblazing former Chairman & CEO of PepsiCo, to inspire meaningful and open dialogue.
  • Producing the 45-minute film, Then and Now, about American civil rights leader Ruby Bridges, which reached 12,000 students, teachers, and community members.

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2025 | Grace Farms Turns 10 

On September 13, Grace Farms unveiled ParaPosition, a sculpture by artist Alicja Kwade, launching a new programming season that runs from September 2025 through May 2026. ParaPosition is made of slim interlocking steel frames supporting four boulders and a blue chair made of bronze, which draws viewers into the frame of this massive, yet fragile, universe. The chair beckons viewers to reflect on our relationship with the world and contemplate the fundamental nature of our existence.

ParaPosition, photo by Dean Kaufman

“Alicja Kwade is approaching themes about society and human flourishing in the same spirit as we are at Grace Farms Foundation — imploring us to expand our perspective by asking questions. At Grace Farms, we seek new outcomes on pressing humanitarian issues by breaking down silos and facilitating dialogue across sectors.” – Sharon Prince

The launch of this season, curated by Chelsea Thatcher, Chief Strategic Officer and Founding Creative Director, centers around the theme ‘We all build.’ “Each experience is set intentionally within a seasonal moment, to bring us closer to nature as we develop solutions to make the world a more just, sustainable, and peaceful place. None of these programs can be experienced in the same way again, either at Grace Farms or anywhere in the world,” said Thatcher.

Grace Farms’ Artist-in-Residence and GRAMMY-Winning Canadian cellist Arlen Hlusko performed throughout the day. (Photo by Melani Lust.)

Highlights of the day-long celebration included an outdoor classical music ensemble led by acclaimed cellist and Artist-in-Residence Arlen Hlusko, an artist talk with award-winning photographer James Florio, also an Artist-in-Residence, who unveiled a permanent photographic work for the Grace Farms Library, Haida Gwaii, 2025, and Hannah Rose Thomas, PhD, who unveiled a commissioned portrait of Nasreen Sheikh, a modern slavery survivor and social entrepreneur, in the new iteration of With Every Fiber: Pigment, Stone, Glass, as well as the opening of Dancing Trees in the Plaza. Kazuyo Sejima of SANAA returned to Grace Farms for the 10-year anniversary to introduce the new seating installation, which is meant to foster community and conversation, while harmonizing with nature and the landscape.

Chelsea Thatcher, Chief Strategic Officer and Founding Creative Director, left, and artist Hannah Rose Thomas, PhD, right,  unveiled a commissioned life-size portrait of Nasreen Sheikh, a modern slavery survivor and social entrepreneur, in the new iteration of With Every Fiber: Pigment, Stone, Glass. The portrait was created using tempera made natural pigments. Thomas’ work has been exhibited at the UK Houses of Parliament, European Parliament, and Westminster Abbey. The exhibit features other new commissions responding to the Design for Freedom movement.

The memorable day culminated with a discussion about Grace Farms’ origins with Kazuyo Sejima, one of the Pritzker-prize winning architects of the River building, along with Prince, Chelsea Thatcher, and Toshihiro Oki, Grace Farms’ Architecture Advisor.

Preceding the conversation was a performance by Arlen Hlusko on cello. GRAMMY Award-winning violinist Joshua Bell closed the discussion,  accompanied by Peter Dugan, pianist and host of NPR’s From the Top.

Award-winning violinist Joshua Bell received a standing ovation during his performance in the Sanctuary. (photo by Melani Lust)

The unveiling of Dancing Trees in the Plaza, a new site-specific seating installation designed by Kazuyo Sejima of SANAA. From left to right: Toshihiro Oki, Grace Farms Architecture Advisor, Kazuyo Sejima, Sharon Prince, CEO and Founder of Grace Farms, Chelsea Thatcher, Founding Creative Director, Grace Farms. (Photo by Melani Lust)

Haida Gwaii, 2025

Haida Gwaii, 2025, now on permanent display in Grace Farms’ Library, was unveiled on its 10th year anniversary.

Grace Farms’ Artist-in-Residence James Florio created a new photographic work, Haida Gwaii, 2025, now on permanent display in Grace Farms’ Library.

Florio was inspired by his trip to Taan Forest in Haida Gwaii, British Columbia, where Grace Farms procured the Western red cedar used for the half-mile fascia installed this past spring. The cedar was selected for its longevity, as well as its alignment with Design for Freedom principles, including prioritizing circularity. The Taan Forest is ethically and sustainably maintained by the Haida Enterprise Corporation (HaiCo), 100% owned by the Haida, the First Nations people.

In aligning with Design for Freedom and its emphasis on material transparency, in November 2024, Prince and Toshihiro Oki, Grace Farms’ Architecture Advisor, traveled to Taan Forest for a hands-on exploration of Western red cedar.They gained insight into how the new fascia would be sustainably and ethically sourced from Haida Gwaii, an archipelago off the coast of British Columbia. The timber is FSC certified and harvested in ways that meet The Haida Nation’s high cultural preservation standards.

“There is a Haida guiding principle that represents respect for each other and living things. It’s rooted in all of our culture. We take only what we need,” said Leticia Hill, CEO of HaiCo.

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Grace Farms Tea & Coffee | Launch of Origin Stories

Grace Farms’ Origin Stories series opened with Adam Thatcher, Co-Founder and CEO of Grace Farms Teas & Coffee, who shared his journey behind this mission-driven social enterprise. He was joined in conversation by Christine Sanchez, Vice President of Retail at 270 Park, JPMorganChase, to discuss the innovative partnership between the two organizations.

A woman and man stand in a field of coffee bean plants.

The Ketiara Cooperative, led by founder and chairwoman Ibu Rahmah, left, and Adam Thatcher, CEO & Founder of Grace Farms Tea & Coffee.

As a Certified B Corp, Grace Farms Teas & Coffee prioritizes ethical sourcing, sustainability, and partnerships with women-owned collectives, with 100% of profits supporting the Foundation’s humanitarian work to end forced labor. Since Thatcher and Prince, also a Co-Founder, launched the Certified B Corp to support Design for Freedom in 2021, awareness about the ethically and sustainably made tea and coffee has grown exponentially. Its Wellness Teas are in 26 Whole Foods Market stores as of 2024, and the organization has expanded its corporate sponsorships with organizations including JPMorganChaseUBSSciame Construction, and Bloomberg. Grace Farms Tea & Coffee has also made another momentous leap: an outdoor café at JPMorganChase’s new headquarters in New York City is slated to open next year.

Relief Efforts to its Coffee Supplier in Indonesia

Grace Farms Tea & Coffee, a nonprofit-owned Certified B Corp™ and subsidiary of Grace Farms Foundation, provide relief efforts including generators as pictured in the truck.

Grace Farms Tea & Coffee, a nonprofit-owned Certified B Corp™ and subsidiary of Grace Farms Foundation,  announced the launch of a relief effort for Sumatra Resilience & Rebuilding, an urgent humanitarian initiative supporting the Ketiara Cooperative, a Fairtrade-certified, women-led coffee farming collective in the Gayo Highlands of Sumatra, Indonesia.

Over Thanksgiving weekend, Cyclone Senyar, a rare and destructive tropical cyclone, triggered catastrophic mudslides across northern Sumatra, causing the worst natural disaster to Sumatra since the tsunami of 2004. Many homes were destroyed, farms endured severe damage, and two vital bridges were washed away, isolating the city of Takengon and surrounding areas. The disaster severed access to food, clean water, electricity, and communication. The Ketiara Cooperative, led by founder and chairwoman Ibu Rahmah, is one of Grace Farms Tea & Coffee’s longest and most trusted sourcing partners, with more than 1,700 farmers, including 1,100 women.

In response to the crisis, Grace Farms Tea & Coffee has mobilized immediate humanitarian support, enabling the delivery of generators, Starlink satellite communication devices, rice, and essential food supplies by air to the most isolated communities.

Grace Farms Tea & Coffee will contribute $5 from every bag of its Single-Origin Indonesian coffee sold toward ongoing recovery and rebuilding initiatives in the region. This purchase-based contribution helps provide generators, Starlink internet access, rice and other essential food supplies.

“The farmers of Ketiara are at the heart of our mission,” said Adam Thatcher, CEO of Grace Farms Tea & Coffee. “Our relationship with Ibu Rahmah and her cooperative goes far beyond sourcing coffee. In moments like this, it is our responsibility to stand with them as partners and as friends.”

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The Arts | New Perspectives

The arts and music have transformed Grace Farms’ space, generating new perspectives, enhancing our sense of beauty, and fostering the potential for individual and social transformation. From the London Philharmonic Orchestra’s (LPO) sold-out performance in 2024 to the standing-ovation performances of GRAMMY-Winning violinist Joshua Bell in 2025, each performance has the power to change us.

Also in 2025, Mon Rovîa presented a sold-out concert of peace and healing in a special program for Grace Farms, organized on the United Nations International Day of Tolerance.

Mon Rovîa reflects journeys of humanity through his Afro Appalachian music as a singer and songwriter, and from his own experiences moving from the Liberia during the country’s civil war to the United States. He was named as one of Spotify’s 2024 Juniper Artists to Watch, has been featured in the GRAMMY Museum’s New York City program series, and has sold out every headline show to date, including Bonnaroo, Austin City Limits, and Newport Folk Festival.

In addition, Grace Farms brought back Broadway Inspirational Voices, a diverse choir and service organization powered by Broadway artists who use music to inspire hope and change lives. The one-hour program featured a holiday repertoire developed for Grace Farms by Connecticut native Allen René Louis, Broadway Inspirational Voices Artistic Director and GRAMMY-nominated Creative Director and Producer.

 

Broadway Inspirational Voices returned to Grace Farms in December 2025 with a site-responsive program that connects us with the presence of the human voice to inspire the audience toward joy. The one-hour program featured a holiday repertoire developed for Grace Farms by Connecticut native Allen René Louis, Broadway Inspirational Voices Artistic Director and GRAMMY®-nominated Creative Director and Producer.

“A space for renowned musicians and performers to transform our perspectives.” — Chelsea Thatcher

Architecture & Design Film Festival

Hosted in collaboration with the Architecture & Design Film Festival, Grace Farms launched a weekend of films celebrating architecture’s impact on people and communities. It’s an opportunity to immerse oneself in a weekend of curated films showcasing stories of bold, visionary dreamers who put seemingly impossible ideas into action in the fields of architecture and design.

The opening night premiere was Strange & Familiar: Architecture on Fogo Island, which was followed by a dialogue between visionary Zita Cobb and Sharon Prince, alongside Kyle Bergman, Festival Director & Founder of Architecture & Design Film Festival, and Toshihiro Oki, Grace Farms Architecture Advisor.

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Justice | Design for Freedom

Since the launch of Design for Freedom and its annual Summit, in 2020 and 2022, respectively, more students and universities have gotten involved in the global movement. Through partnerships with colleges and universities, Design for Freedom is developing a pipeline of future leaders who will use Design for Freedom principles in their work. Grace Farms established a partnership with the Association of Collegiate Schools of Architecture (ACSA) to launch a studentdesign competition for the 2024–2025 academic year. Over 300 students and faculty participated from schools including Boston Architectural College, California Polytechnic State University, Carnegie Mellon University, University of Illinois, Urbana-Champaign, and Yale University.

The distinguished jurors, who are also part of the Design for Freedom Working Group, selected first, second, and third place winners, along with honorable mentions, in two categories: Design Project and Material Research.

The competition recognized 10 exceptional projects that explored a variety of issues related to the exploration of how architects can work to eradicate forced and child labor from the built environment.

“We must engage the entire ecosystem of the built environment, including universities who are educating the next generation of leaders, to start shifting the marketplace. These projects demonstrate academic rigor and offer potential pathways to build more humanely. We are partnering with ACSA to nurture this vital intersection of architecture and justice,” said Prince.

Design for Freedom Summit

Sharon Prince opens the Design for Freedom Summit in March 2025. (Photo by Melani Lust)

Each year, Grace Farms invites leaders from across the ecosystem of the built environment to participate in the Design for Freedom Summit. Over 550 leaders from architecture, design, construction, and the manufacturing sector attended the sold-out Summit, including more than 75 students from 25 universities who gathered to advance the movement to eliminate forced labor in building materials.

Pilot Projects Announced

Three new Design for Freedom Pilot Projects were announced at the Summit, joining more than 12 projects across three continents. They include Battery Park Field House designed by WXY architecture + urban design in partnership with The Battery NYC, Hightower Group Manufacturing Headquarters in High Point, North Carolina, and the Grace Farms Rest House Project designed by Slade Architecture.

“Changing perceptions of public washrooms and public parks maintenance facilities is a perfect match for the Design for Freedom Toolkit and for inspiring the care of our public parks and gardens.” – Claire Weisz, Founding Partner, WXY.

With Every Fiber Exhibit

In addition to raising awareness about Design for Freedom through our tea and coffee, the With Every Fiber exhibit which opened in May 2024, invites the public to consider the nearly 28 million people who extract and make our building materials which go into our homes, schools, office buildings, and landscapes. The first iteration featured 20 preeminent designers, material suppliers, artists, cultural institutions, and construction industry leaders including Studio Cooke John Architecture + Design, Pentagram, Yale Center for Ecosystems + Architecture, and more. Each iteration focuses on new materials at risk of forced labor.

Also new to the exhibit is a Stone Space Frame pylon (center) designed by Webb Yates Engineers, who has been developing sustainable engineering solutions in the building industry for decades. The pylon is an example of how post-tensioned stone, which when quarried, processed, transported, and reused under the right conditions, is a highly sustainable material, and might replace steel as a trussing component. (Photo by Andrew Werner)

The latest iteration, unveiled on Grace Farms’ 10-Year Anniversary on October 11, highlighted pigment, stone, and glass.The stories of these materials are told through newly commissioned artworks including a portrait of modern slavery survivor and social entrepreneur Nasreen Sheikh by artist Hannah Rose Thomas, PhD, and John Sabraw, who uses pigments made in his studio from recycled mine drain runoff in the Ohio mountains. Since May 2024, over 45,000 people have visited the exhibit, offering a hopeful perspective for addressing forced labor, as well as serving as a platform for ongoing research around Design for Freedom principles including prioritizing circularity.

With Every Fiber Invited to La Biennale di Venezia

Grace Farms Foundation was invited to participate in the 19th International Architecture Exhibition of La Biennale di Venezia, titled Intelligens. Natural. Artificial. Collective., curated by Carlo Ratti.

This prestigious exhibition, which opened to the public on May 10, featured an adaptation of our With Every Fiber exhibit, presented by Sharon Prince, Chelsea Thatcher, and Nina Cooke John, Founder of Studio Cooke John. Her work, Shadow of a Face, a Harriet Tubman monument in New Jersey, is a Design for Freedom Pilot Project.

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Community | Change is Built by Community

Lunch & Dinner with a Purpose

Amy Williams, CEO of Citizens of Humanity Group, Chelsea Thatcher, curator of the With Every Fiber exhibit, and Camilla Marcus, chef and founder of west~bourne and author of My Regenerative Kitchen, discussed how the essential pillars of food, clothing, and shelter are driving change toward a more sustainable and ethical future. The conversation was moderated by Karen Kariuki, Managing Director, Strategic Initiatives.

Indré Rockefeller, a climate communicator, entrepreneur, and Founder of The Circularity Project, a nonprofit dedicated to championing circular design in fashion, offered a thought-provoking conversation on sustainability, entrepreneurship, and the future of circularity. The events were set against the backdrop of Grace Farms’ 80 acres and featured a locally sourced, sustainable meal served in the Commons.

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Nature | Awe & Wonder

Grace Farms was designed to contribute to the public’s quality of life by providing a peaceful respite that inspires the exploration of wilderness, wildlife, and open space.

To engage the public with hands-on learning experiences, Kimberly Kelly, Grace Farms’ Director of Horticulture, fosters inclusive and meaningful ways to connect the public to the natural world, through horticulture, ecology, and regenerative land-use practices through both formal and informal educational programs.

Kelly currently serves as a member of the Board of Directors of the Connecticut Master Gardener Association and is the President of the Board of Directors of the International Association of Butterfly Exhibitors and Suppliers.

Amazing Butterflies Event that was featured in the Court.

Grace Farms hosted the Butterfly Exhibit, which demonstrated the extraordinary metamorphosis of butterflies through an interactive indoor maze and traveling exhibit in Grace Farms’ indoor Court. Created by The Natural History Museum in London in collaboration with Minotaur Mazes, thousands of people experienced how a caterpillar transforms into a butterfly and takes flight. Grace Farms has become a natural habitat for our essential pollinators and wildlife.

Our certifications and memberships include:

  • Certified Wildlife Habitat Garden, through the National Wildlife Federation
  • Certified Monarch Waystation
  • Member of the Xerces Society Pollinator Protection Plan
  • Founding member of the New Canaan Pollinator Pathway

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2026 | Upcoming Highlights

(Visit our event’s page for a full schedule of our 2025-2026 season.)

Grace Farms Lectures 

 The Grace Farms Lectures series bring together visionary leaders who have shaped our world, inviting them to share the wisdom they have learned through their distinguished careers. Each lecture is accompanied by a specially curated 60-minute concert performed by some of today’s most celebrated musicians. The pieces performed by these artists respond directly to the life’s work of each lecturer and the impact they continue to make.

This program is designed as an epic Grace Farms experience, with 60 minutes of music curated for each lecture by Artist-in-Residence Arlen Hlusko to enhance the messages of the lectures. An optional workshop connected to each topic also provides a way to engage with the lecture material in a tactile way.

Sharon Prince

Sharon Prince

To initiate the series on January 10, 2026, Sharon Prince, CEO and Founder of Grace Farms, will inspire participants to see the built environment through new eyes and recognize their own agency in creating spaces that communicate and catalyze good in the world. During this lecture Prince will share her remarkable journey of creating a boundary-defying environment that actively drives humanitarian outcomes and reshapes our approach to global challenges. Her thesis has already begun to redefine how we think about architecture’s role in creating a more just and equitable world.

Dr. Miroslav Volf

On February 7, 2026, Founding Director of Yale Center for Faith & Culture and one of the most significant religious thinkers of our time, Dr. Miroslav Volf creates the opportunity to pause and explore the global need for grace, forgiveness and true generosity. For Volf, this is a step toward a world in which every person can wrestle with life’s most important questions and take hold of a life worthy of our humanity. Volf is the author of more than 20 books, including Exclusion & Embrace — which was named one of the best 100 religious books of the twentieth century.

Dr. Robin Wall Kimmerer

A writer of “rare grace,” Dr. Robin Wall Kimmerer on March 7 will offer a powerful and poetic explorations of how human beings connect with nature and one another. She weaves together indigenous wisdom, science, and profound spiritual insight to reimagine our connection to the living world. Drawing from her background as both a botanist and a member of the Citizen Potawatomi Nation, Kimmerer invites everyone to understand ecological systems with gratitude, mutual respect, and interconnectedness, allowing us to recognize the entire natural world as worthy of care.

The Arts & Music | Yo-Yo Ma (sold out)

Yo-Yo Ma plays the cello.

This special Music at Grace Farms program on January 11 brings one of the world’s most beloved musicians to our Sanctuary, where the resonance of Yo-Yo Ma’s cello and Solon Gordon’s expressive artistry will fill the glass-enclosed space with beauty and sound.

Set against the winter landscape, the performance invites guests to pause, listen deeply, and experience the power of music to connect us — to one another and to the world around us.

Yo-Yo Ma’s multi-faceted career is testament to his belief in culture’s power to generate trust and understanding. Whether performing new or familiar works for cello, bringing communities together to explore culture’s role in society, or engaging unexpected musical forms, Yo-Yo Ma strives to foster connections that stimulate the imagination and reinforce our humanity.

Additional featured performances include Arlen Hlusko, cello, in February, and Dianne Reeves with Romero Lubambo in March 2026. 

Film Festival | Humanity in Architecture

(Hosted in collaboration with Architecture & Design Film Festival)

On January 30 and January 31, 2026, Grace Farms honors the pivotal moment when one person commits to designing and building for the benefit of humankind and the Earth. The films feature stories of bold, visionary dreamers who put seemingly impossible ideas into action in the fields of architecture and design.

Opening night of the film festival on January 30 features an evening film and conversation with inspiring themes that will echo throughout the next day. On Saturday, January 31, films and Q&As fill three spaces in the River building and Barns. Throughout the day there will be additional opportunities to join a guided winter walk organized with New York Botanical Garden, Yoga and Movement with Pilin Anice, and a design session with Slade Architecture.

Origin Stories | Nasreen Sheikh & Jennifer Stucko

In January and March, respectively, Nasreen Sheikh, the founder of the Empowerment Collective and Local Women’s Handicrafts, and Jennifer Stucko who launched Prota Fiori to merge craftsmanship with sustainability, share their Origin Stories.

Design for Freedom Summit

The annual Summit held in March convenes leaders of the architecture, construction, technology, manufacturing, finance, government, academic, and real estate sectors to advance the global movement toward a more ethical built environment.

Through the guidance of the Design for Freedom principles, participants explore solutions to identify and address forced labor, advance ethical decarbonization, and prioritize circularity through a human rights lens.

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Impacts | 10 Year Highlights 

As we all continue to build together, it’s worth looking at the accomplishments over the years to understand how this “space” brought us to this moment, reminding us of what’s possible when we build together, each lighting the way for the other. 

  • 2 million PPE donated and distrusted to close the state-wide gap during COVID-19
  • 169,276 pounds of nutritious meals and pantry staples distributed to 67,897 individuals through the Grace Farms’ Food Relief program in 2020.
  • 130,000 pounds of carbon sequestered from the atmosphere each year by more than 2,000 trees (over 50 species) on Grace Farms’ property
  • 1 million visitors have experienced Grace Farms
  • 84,000 + young people and students under the age of 26, or 28% of all visitors engaged with the With Every Fiber exhibit at the 19th International Architecture Exhibition of La Biennale di Venezia, curated by Carlo Ratti.
  • 45,000 + people engaged in Design for Freedom presentations, speaking engagement, and events since its launch in 2020.
  • 30,000 + people engaged With Every Fiber since opening in May 2024.
  • 17,244 visitors encountered Temporal Shift, a temporary sculpture by artist Alyson Shotz sited at Grace Farms in 2021
  • 12,000 students, teachers, community members reached with the Grace Farms-produced 45-minute-film, Then and Now, about American civil rights leader Ruby Bridges.
  • 7,000 visitors to artist Julianne Swartz’s three-part installation Joy, still. in the River building at Grace Farms
  • 5,400 + people have engaged in Earth Day since launching in 2016
  • 5,000 + people participated in Grace Farms’ opening weekend celebration
  • 4,000 + welcomed in 2023 to the launch Voices of Culture, a series that focused on acclaimed and diverse musicians.
  • 70% Of Grace Farms’ acreage has been restored to pollinator-friendly native habitats

“We have created these exceptional experiences across various fields to capture the spirit of the transformative work we have undertaken and the future we continue to build in community with one another. We hope you leave feeling connected to a robust and diverse community, grounded in a shared vision of grace and peace. The possibilities to create a more humane and equitable future together remain as vast as our landscape.” — Sharon Prince

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About Grace Farms

photo by Dean Kaufman

Grace Farms is a cultural and humanitarian center in New Canaan, Connecticut that brings people together across sectors to explore nature, arts, justice, community, and faith at the SANAA-designed River building and Barns on 80 acres of publicly accessible natural landscape. Since opening in 2015, Grace Farms has welcomed 1 million visitors from around the world to experience its unique integration of arts, architecture, nature, and purpose.

As a destination for arts and culture, Grace Farms presents innovative programming in music, visual and performing arts while fostering contemplation and connection through architecture and nature. Its humanitarian work includes leading the Design for Freedom movement to eliminate forced labor in the building materials supply chain and advancing initiatives to foster more grace and peace locally and globally.

The integration of cultural programming and humanitarian action reflects Grace Farms’ collaborative approach to generating new outcomes and meaningful change.

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Membership

Grace Farms members can visit without advance registration and enjoy a 20% discount on paid programs, retail, and dining, invitations to members-only gatherings, complimentary events, and a welcome gift from Grace Farms Tea & Coffee.

Becoming a member helps us advance our mission to pursue a more peaceful world and supports the preservation of the River building and its surrounding 80 acres.

For more information, visit gracefarms.org/membership.

Visit our calendar of events to learn more about upcoming programs.

Sign-up for our newsletter

Follow us

@gracefarmsct #gracefarms

Season of Light | A Reflective Time at Grace Farms

“Every day that we are gifted the opportunity to wake up on Earth, we build. What we choose to build — and how we design and build it — are questions that are explored at Grace Farms.” — Chelsea Thatcher, Founding Creative Director

To commemorate the opening of Grace Farms in October 2015, the foundation published And Souls Are Candles, an anthology of contemporary poems and theological prose, edited by Christian Wiman, an author, editor, and former Guggenheim Fellow. The title is a metaphor that suggests souls are like flames, each one hopeful, each one connecting to spread more light.

In one of the poems, And I Was Alive by 20th-century Russian poet Osip Mandelstam, the poet was praised for his ability to be “wonderstruck, even in a darkening, war-torn world, and suggests that hope can shine forth out of the strangest places,” according to an Atlantic Magazine article that referenced best-selling author Ayana Mathis’ thoughts on Mandelstam’s poetry.

The River building embedded in natural landscape invites people to experience the awe and wonder of nature through the seasons.

As the natural light wanes as the winter solstice approaches in mid-December — where we’ll experience the shortest day and longest night, Grace Farms has created programming to reflect during the season. Reflective of Mandelstam’s poem, which calls upon us to consider “What is being?”, Grace Farms is a contemplative space to consider some of life’s enduring questions.

While it’s a time to look inward, it’s also a season to look beyond to help those in need. Below are highlights of our Season of Light programs. Visit our events page to register for events.

Admission to Grace Farms is free: Tuesday-Saturday | 10 am – 5 pm Sunday | 12 – 5 pm Monday | Closed

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Gifting for Good 

Visitors attend Grace Farms' annual gift giving evening, Gifting for Good, and wrap presents together.

At our annual Gifting for Good welcomes hundreds people of all ages each year to compile care packages for those in need in our local community.

Friday, December 5, 2025

 4 – 5 pm, 6 – 7 pm

In the spirit of giving, gather with friends, family, and fellow community members to assemble care packages.

Cookie Decorating 

Sunday, December 7, 2025

 1 – 2 pm, 3 – 4 pm

Decorate delicious winter-inspired cookies with the entire family. Cookies will be provided by Pastry Chef Leah Jones.

Music at Grace Farms | Broadway Inspirational Voices Christmas Concert

Saturday, December 13, 3:30 pm – 4:30 pm

Broadway Inspirational Voices returns to Grace Farms with a site-responsive program that connects us with the presence of the human voice to inspire the audience toward joy. The one-hour program features a holiday repertoire developed for Grace Farms by Connecticut native Allen René Louis, Broadway Inspirational Voices Artistic Director and GRAMMY®-nominated Creative Director and Producer.

60 minute performance. No intermission. Doors open at 1 pm.

Tickets include entry to the Grace Farms Holiday Market, a special pop-up featuring a curated selection of meaningful gifts that give back. Browse art sets, toys and treats, cozy mugs, teas and coffees, inspiring books, and Grace Farms favorites like notecards and memberships. Discover handmade ornaments and embroidered works by Nasreen Sheikh and the Empowerment Collective, supporting dignified work for women artisans worldwide.

Sustainable Holiday Décor

Saturday, December 13, 2025

Saturday, 11 am – 12 pm

Make a one-of-a-kind holiday wreath from living plants and other natural materials with the Grace Farms Garden Team.

Nature Workshops by Kimberly Kelly invite adults of all experience to learn about the various cultural practices that rely on nature, including flower bouquets, the impact of seeds, permaculture, and holiday décor.

Seasonal Music 

Drop into the Sanctuary during your visit to enjoy improvisational performances of seasonal music from local artists, suited for the whole family.

Select days, November and December 2025

Seasonal Music | Arden Altino

Sunday, December 28, 2:00 pm – 3:00 pm

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Additional Seasonal Activities & Family Programming 

Move with Grace Farms x lululemon 

November 15, December 20, 2025

Monthly 10:30 am – 12 pm

Restore and ignite the energy needed to live a more balanced life during monthly movement classes developed in collaboration with local lululemon ambassadors.

Yoga and Movement with Pilin Anice 

The Court, a multi-purpose space for recreation, youth activities, receptions, and arts performances, also serves as a contemplative space to experience yoga during all seasons.

Candlelight Yoga: Wednesday, December 3, 2025

 3:30 – 5 pm

Experience movement and music in the light-filled Court with renowned mindfulness and wellness expert, Pilin Anice.

Weekly Children and Family Programs

Thursdays Ages 1 – 5

Studio Beginnings

Inspired by the River building and the surrounding landscapes, these mornings in the art studio encourage our youngest builders, designers, and artists to think, play, create, and experiment with texture, form, line, color, and space.

Open Arts Studio 

Thursdays and Saturdays Ages 4 – 11

Open Arts Studio is a site-responsive creative exploration for younger audiences to engage in open-ended inquiry and reflect on the building, its shapes and designs, and its ideas.

Materials Studio 

Tuesdays and Wednesdays Ages 4 – 11

Families are invited to learn about the unique properties of the different materials in With Every Fiber and through art making, imagine new applications for them.

Imagination Playground 

Children can build skills, solve problems, and make friends in the Court using an innovative system of large-scale, lightweight blocks designed to encourage fun and learning through curiosity-driven play. For ages 8 and under with adult caregivers.

Bunny Book Group 

Fridays Up to 5 yrs

Listen to stories from our curated collection of books and take part in an arts and crafts activity.

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Exhibits

With Every Fiber: Pigment, Stone, Glass

photo by Andrew Werner

Grace Farms opened a new iteration of the With Every Fiber exhibit, which offers newly commissioned artworks and insights into both human dignity and exploitation in the building materials supply chain. A portion of With Every Fiber was adapted and included in the Intelligens CANON at the 19th International Architecture Exhibition of La Biennale di Venezia, curated by Carlo Ratti, open through November 2025.

Peace Forest

Explore Grace Farms’ visitor orientation space featuring a SANAA-made model of the River building, a permanent work by Thomas Demand, and watermedia of the site by Heather Jones.

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About Grace Farms

photo by Dean Kaufman

Grace Farms is a cultural and humanitarian center in New Canaan, Connecticut that brings people together across sectors to explore nature, arts, justice, community, and faith at the SANAA-designed River building and Barns on 80 acres of publicly accessible natural landscape. Since opening in 2015, Grace Farms has welcomed 1 million visitors from around the world to experience its unique integration of arts, architecture, nature, and purpose.

As a destination for arts and culture, Grace Farms presents innovative programming in music, visual and performing arts while fostering contemplation and connection through architecture and nature. Its humanitarian work includes leading the Design for Freedom movement to eliminate forced labor in the building materials supply chain and advancing initiatives to foster more grace and peace locally and globally.

The integration of cultural programming and humanitarian action reflects Grace Farms’ collaborative approach to generating new outcomes and meaningful change.

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Membership

Grace Farms members can visit without advance registration and enjoy a 20% discount on paid programs, retail, and dining, invitations to members-only gatherings, complimentary events, and a welcome gift from Grace Farms Tea & Coffee.

Becoming a member helps us advance our mission to pursue a more peaceful world and supports the preservation of the River building and its surrounding 80 acres.

For more information, visit gracefarms.org/membership.

Visit our calendar of events to learn more about upcoming programs.

Sign-up for our newsletter

Follow us

@gracefarmsct #gracefarms

New Iteration of With Every Fiber | Pigment, Stone, Glass & Features Five New Art Commissions

“The new iteration of With Every Fiber is designed to help the public reimagine architecture with fair labor. It brings forward innovative solutions in stone, pigment, and glass — building materials that are typically at high-risk of forced and child labor — and highlights breakthrough approaches to ethical sourcing that will create a more humane built environment for all.” – Chelsea Thatcher

The forced and child labor embedded in our buildings, food, and clothing is largely hidden. To raise public awareness about this global humanitarian crisis, Grace Farms launched Design for Freedom in 2020 with over 60 leaders from the built environment. Design for Freedom has since grown into a global movement supported by over 100 industry leaders across sectors including the construction and financial sector. “First the food industry was called to be accountable to fair labor and supply chain transparency, then fashion, and now shelter is being called to account,” said Sharon Prince, CEO and Founder of Grace Farms.

For Prince, raising industry awareness has been a years-long endeavor, where each step elevated not only local and global awareness, but resulted in actionable outcomes such as activating Design for Freedom Pilot Projects across three continents and publishing groundbreaking and comprehensive reports such as the Design for Freedom International Guidance & Toolkit. Increasing awareness among the public, however, would require a more immersive and interactive approach to inspire people to understand and care about the materials that make up the built world around them.

There are nearly 28 million men, women, and children in forced labor, often working in inhumane conditions for little or no wages, according to the International Labour Organization. Prince refers to such labor practices as the “slavery discount,” which subsidizes ROIs and eliminates fair competition. The first iteration of With Every Fiber exhibit launched in May 2024 brought together 20 preeminent designers, material suppliers, artists, cultural institutions, and construction industry leaders, to create a dynamic environment in which people can pause and consider the hands making our building materials. The exhibit is curated by Chelsea Thatcher, Grace Farms’ Founding Creative Director, and designed by architect Nina Cooke John, one of the first architects in the U.S. to commit to embarking on a Design for Freedom Pilot Project.

This next iteration, which opened on Grace Farms’ 10th Anniversary on October 11, focuses on Pigment, Stone, and Glass — materials at high risk of forced labor. As with the initial launch of With Every Fiber in May 2024, the exhibit reveals the embodied suffering behind the extraction and processing of global building materials and how Design for Freedom aims to eliminate forced and child labor. Since its launch, over 100 global leaders across sectors have committed to Design for Freedom.

New to the exhibit are commissioned works by John Sabraw, artist and professor at Ohio University; Nina Cooke John, principal of Studio Cooke John Architecture & Design; and artist Hannah Rose Thomas, PhD., who unveiled a life-size portrait of social entrepreneur and survivor of modern slavery Nasreen SheikhWebb Yates Engineers’ sustainable prototype for truss work will demonstrate an engineering solution that replaces unethically sourced carbon-producing steel with stone. The London Philharmonic Orchestra, which has a long partnership with Grace Farms recorded Woven in Tears, composed by Evan Wiliams, is also featured in the exhibit.

Lithologic, by John Sabraw, is one of five new pieces featured in With Every Fiber (courtesy of John Sabraw)

With Every Fiber highlights how creative vision has the power to transform our built environment,” said Thatcher. “The artists and creators featured here have reimagined how we work with stone, pigment, and glass. They demonstrate innovative approaches to ethical sourcing and prove that fair labor practices in the construction industry are within our reach.”

The commissioned work brings forth the issue of forced and child labor told through artists and their medium. Artist and environmentalist Sabraw’s mixed media work, Lithologic (2024) is composed of iron oxide pigments derived from the remediation of acid mine drainage pollution near Truetown, Ohio, as well as Appalachian coal. The work explores the topographies created from human extraction of natural resources and their paradox, which Sabraw sees as feats of human ingenuity and engineering, and emblematic of human consumption. These topographies form a hidden network most people have no idea exist, but each and every one of us plays a part in. Sabraw works in conjunction with paint company Gamblin Artists Colors to create artists pigments.

Also new to the exhibit is a Stone Space Frame pylon designed by Webb Yates Engineers, which has been developing sustainable engineering solutions in the building industry for decades. The pylon is an example of how post-tensioned stone, which, when quarried, processed, transported, and reused under the right conditions, is a highly sustainable material and could replace steel as a trussing component. The pylon features bars made up of four types of stone connected by thin steel rods: reclaimed stone, Jodhpur Sandstone, Vietnamese Stone (Pleiku Black), and Angolan Black Stone. Each stone was selected because of its potential for ethical sourcing. This pylon technology, which could reduce the steel and carbon used in construction by 75%, can be applied to many projects, such as bridges, roofs, factories, stadiums, and buildings. This is the first U.S. commission of Stone Space Frame.

Exhibit designer Nina Cooke John has contributed a new glass installation exploring the meanings of found materials, compiled and layered through the art of collage. Through dense layering of strips of reused glass that graduate to areas of sparing use, the work gives a new way of looking at glass as a product, prompting questions about how the construction industry is designing and sourcing this material. By incorporating recognizable historic glass windows and door frames, the work grounds itself in the lived spaces of daily life while raising awareness about forced labor and child labor in the global glass and sand industries.

Artist and human rights activist Rose Thomas’ life-size portrait of social entrepreneur and modern slavery survivor Nasreen Sheikh was created with tempera from natural pigments. Thomas’s work has been exhibited at the UK Houses of Parliament, European Parliament, and Westminster Abbey.

A frequent collaborator with Grace Farms, The London Philharmonic has recorded a new composition for the exhibit by composer and conductor Evan Williams, which responds to Rose Thomas’ portrait of Nasreen Sheikh. Woven in Tears incorporates different instrument sounds and melody lengths to represent individual threads creating a tapestry. The piece features glisses, plucking, and other techniques from the string players and pianist to evoke sounds similar to the fibers of strings threading each other.

A stone pylon by Steve Webb, similar the one in With Every Fiber, shown here at the Royal Academy (courtesy of Webb Yates)

Tapping gestures are used to create the mechanical noise that would be heard in a sweatshop. The piece later transforms to evoke the peaceful sounds of the 100-year-old loom that Sheikh acquired for her first business, using her skills and sustainable practices to empower herself and other women in her region. The 18-minute piece will be played in the exhibit throughout the show’s run.

With Every Fiber also incorporates Design for Freedom’s principles into its design, including prioritizing circularity. The exhibit itself became a site for research and the development of new methods of exhibit design and material tracking. The new installation of the exhibit repurposes materials throughout.

A portion of With Every Fiber was adapted and included in the Intelligens CANON at the 19th International Architecture Exhibition of La Biennale di Venezia, curated by Carlo Ratti, on view through November 2025.

For more information about the exhibit, we invite the public to learn more through Bloomberg Connects, which is accessible in the exhibit. In addition, the launch of the next iteration included the release of our inaugural With Every Word  newspaper.” A new iteration of Peace Forest, inspired by the unique character of Grace Farms’ River building, Barns and 80 acres of nature, was also unveiled with new watermedia works by Heather Jones.

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With Every Fiber Support

Anahata Foundation
Assa Abloy
Buro Happold

Deltalight

Design Within Reach
Hayes Davidson
Nucor

Sciame
Sherwin-Williams
Studio Cooke John

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About Grace Farms

Grace Farms is a cultural and humanitarian center in New Canaan, Connecticut that brings people together across sectors to explore nature, arts, justice, community, and faith at the SANAA-designed River building and Barns on 80 acres of publicly accessible natural landscape. Since opening in 2015, Grace Farms has welcomed 1 million visitors from around the world to experience its unique integration of arts, architecture, nature, and purpose.

As a destination for arts and culture, Grace Farms presents innovative programming in music, visual and performing arts while fostering contemplation and connection through architecture and nature. Its humanitarian work includes leading the Design for Freedom movement to eliminate forced labor in the building materials supply chain and advancing initiatives to foster more grace and peace locally and globally.

The integration of cultural programming and humanitarian action reflects Grace Farms’ collaborative approach to generating new outcomes and meaningful change.

Membership

Grace Farms Membership offers deeper connection with the surrounding landscape and community, while supporting our mission to create more grace and peace the world, which includes the work of the Design for Freedom movement to eliminate forced labor in the building materials supply chain as well as the ongoing preservation of the River building and its surrounding 80 acres.

Members enjoy discounts on retail, dining, and programs, and dining, a gift from Grace Farms Tea & Coffee, and early or complimentary access to select programs.

Visit our calendar of events to learn more about upcoming programs.

Sign-up for our newsletter

Follow us

@gracefarmsct #gracefarms

Female Athletes and Leadership | A Champion’s Mindset

On November 1, Grace Farms will host a special event with Olympic gold medalist Kerri Walsh Jennings and major league volleyball players, where they will explore the limitless potential of a champion’s mindset. Earlier in the year, in recognition of International Women’s Day, Grace Farms welcomed for the first time Kerri Walsh Jennings, Women’s Sports Foundation CEO Danette Leighton, and Monarch Collective Co-Founder Jasmine Robinson for an inspiring conversation, Beyond the Game | The Stories, Impact, and Future of Women in Sports. Walsh Jennings also led volleyball clinics for 50 middle and high school girls as a part of the day’s events, along with coaches from Northeast Volleyball Club, based in Norwalk.

Walsh Jennings, one of the most decorated beach volleyball players in history, provided first-hand accounts of perseverance and triumph, alongside perspectives on institutional change from Leighton and Robinson, who are driving investments and opportunities in women’s sports at unprecedented levels. The panel was moderated by Karen Kariuki, Grace Farms’ Managing Director of Strategic Initiatives.

The powerful discussion explored the remarkable progress of women’s sports, the challenges female athletes continue to face, and the exciting future ahead for women in athletics. It also recognized the powerful and clear connection between women’s athletics and leadership. Notably, 94% of female C-suite executives played sports, according to a study by Ernst & Young/espnW and volleyball is now the #1 team sport for high school girls in the country.

“Through sports, girls don’t just learn skills and how to play the game — they are developing confidence, resilience, and leadership skills that will serve them throughout their lives. — Kerri Walsh Jennings

Below is the conversation, slightly edited for clarity, which offers a preview of the upcoming event in November.

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(l-r) Danette Leighton, CEO of the Women’s Sports Foundation, Sharon Prince, CEO and Founder of Grace Farms, Kerri Walsh Jennings, Jasmine Robinson, Co-Founder of Monarch Collective, and Karen Kariuki, Director of Strategic Initiatives of Grace Farms following their panel. (photo by Jacek Dolata)

Karen Kariuki

Kerri, how did your journey begin?

Kerri Walsh Jennings

My parents signed me up to be a ball girl when I was 10 years old at Stanford University; it changed my life. From that moment on, I imagined myself on that court. I played throughout middle school, high school, and seven years later I’m playing at Stanford. It was my first big dream come true.

Sports gave me so much because I have become who I am today. So, I just want to just applaud you all for what you’re doing. Every time you level up, it feels like you’re failing because there’s a restart. When you level up, you’re inherently pushing your newest potential, which is uncomfortable.

“When you level up, you’re inherently pushing your newest potential, which is uncomfortable.” — Kerri Walsh Jennings

Karen Kariuki

Kerri, you are a five-time Olympian, and as some have said the winningness beach volleyball player of all time. Now, as a 46-year-old woman with still dreams, can you just talk about your them and where they originated for being an Olympian?

Kerri Walsh Jennings

I feel like the best is yet to come. My life just keeps unfolding because I’m curious about what’s next and I am so excited by the potential I have within myself. Winning a lot, we all know on this panel, wants to make you win more because winning is so beautiful. For me, winning could be the end result. But mostly, it’s the feeling of improvement; it’s a feeling of enjoying the way up. If you hate the journey, the destination is not going to be worth it. And so, my goal is to be happy in the waiting, to be happy in the building and to align myself, which is the secret to my success with people who are better than me, smarter than me, who see the best in me.

Karen Kariuki

That combination of winning, of striving, of surrounding your success with excellence, that seems a lot in alignment with Women’s Sports Foundation, which just celebrated its 50th anniversary [October 2024]. Danette, can you talk about what that anniversary means to you?

Danette Leighton

Fifty-one years ago, we were founded by Billy [Jean King], two years after the passing of Title IX, which I will say over and over again, this moment in women’s sports is only because of that piece of legislation.  You now have five generations that have lived and had the ability to play sports, and it doesn’t matter if you ever get to Kerri’s level. We just want girls to play sports and we want them to play sports as long as possible.

I’ve been the CEO for three years, but I spent my whole career on the business side of sports working in both collegiate and professional sports. And so I came into this role wanting to make sure that people understood the importance that sports is not an extracurricular for girls and women. It’s a must have because of the leadership skills that are driven for girls that play sports. You’ll probably find some common denominators between all of us. I was never at a level like Kerri or anything close, but playing sports taught me all the intangibles. That’s what the Women’s Sports Foundation tries to prove every day: the leadership intangibles. 94% of C-suite women played sports, with over half of then playing in college.

94% of C-suite women played sports, with over half of then playing in college.”  Danette Leighton

Over 71% of women from their twenties to their eighties show the intangibles of sport have made them the leaders of today. We did a research report last year that showed that those 20 to 80-year-olds are managers are higher. We’ve been doing this for 51 years and fighting to protect that legislation, but to also to prove the model on why it’s so important for girls and women to play sports.

Karen Kariuki

Jasmine, The Monarch Collective is an investment fund exclusively focused on investing in women’s sports. The motto is: play the game, change the game, grow the game. Can you tell us more about it?

Jasmine Robinson

The Monarch Collective, the first fund focused exclusively on investing in women’s sports, raised $250 million to invest around women’s sports teams leagues, and the related rights, with the conviction that women’s sports are going to continue to grow rapidly. Women’s sports are going to surpass $1 billion dollars and it’s still less than 1% of the entire sports ecosystem. I think there are probably a lot of us in this room who could believe that someday in our lifetimes that women’s sports could be as large as men’s sports. Even if it might be 5% of the size of men’s sports, that’s incredible growth to come.

“Women’s sports are going to surpass $1 billion dollars and it’s still less than 1% of the entire sports ecosystem.” Jasmine Robinson

Karen Kariuki

Danette, you referenced Title IX, the landmark legislation that was passed in 1972 to really drive equity in women’s sports. Could you talk about the biggest changes that remain?

Danette Leighton

We care about everything from the youth level: it’s the access in the pipeline to make sure girls within their schools or within their community can play sports. Then we obviously care from a high school and collegiate standpoint, and then we care at the top of the ecosystem, which is obviously college. We also look at as elite as well. I will tell you that I wish I could say the work is over.

The youth side is the pipeline and the access point for all these girls that have this great opportunity to be just like the boys are, to play these amazing sports, to learn all the intangibles. Then you also want to aspire them to potentially go to [play sports] in college.

We’re very worried about what’s happening in college right now, and I think you need to really pay attention to it because I hate the term ‘non-revenue’ generating sport, and that is how every women’s sports is defined in college athletics. The overall economic landscape of college athletics will ultimately potentially create less opportunities for women to play sports in college.

In addition, we’re always very worried about the youth level because most girls start their playing in their schools. So Title IX is a part of our education system, which is one of the most sought after parts of our model across other countries.

“Winning could be the end result. But mostly, it’s the feeling of improvement; it’s a feeling of enjoying the way up.” — Kerri Walsh Jennings

Karen Kariuki

Kerri, can you take us behind the scenes and share a story about your time in the Olympics?

In the Olympic Village, which is the coolest place to be, it’s this big private campus and you have food from every country. And I loved seeing greatness that comes in all shapes and sizes, all colors, all creeds. And that to me is the beauty of the Olympics. I feel like everyone on this stage is good at letting it rip by flexing that muscle of being courageous and pushing your potential and trying new things. All these things make you better. So it’s been a great journey and I truly do hope the best is coming.

“… we believe gender equity isn’t just an aspiration — it is essential to our mission of advancing good in the world.” — Karen Kariuki

Karen Kariuki

One of the things that you talked about in the clinic are these qualities that get fostered as young athletes that translate into success later in life. Can you each comment on that, Danette?

Danette Leighton

I call them intangibles, grit, resilience, competitiveness. One of the best and greatest gifts I ever learned from playing sports was learning how to lose because when you know how to lose, how to negotiate,  how to win, and how to be told ‘no’ 7,000 times. As a CEO of nonprofit, you can imagine how many times I get told ‘no.’

It also teaches you that it takes a team to do the work. So when you become a leader in business, you want to put your best athletes in the best position.  I learned the intangibles playing a team sport, not in the classroom. I know it was the intangibles that made me who I am today.

Karen Kariuki

What is the relationship between the C-Suite and sports?

Danette Leighton

So, 94% of C-suite women played sports and over half of them played in college. In our research, we wanted to look at this from women from their 20’s to their 80’s. So, we did a research project called Play to Lead. You have to think about where they are in their career journey; 71% of them were already starting as a manager, director, vice president. So the pattern of their trajectory was already there, and it was all tied back to them playing youth sports only.  That’s why it’s really important. You need to aspire, play as long as possible because it matters. I was never a top athlete, ever.

Karen Kariuki

Jasmine, can you comment on this?

Jasmine Robinson

The other set of skills that come from participation is around how to collaborate and work with different types of people who bring different skill sets to the table to channel them toward a common goal. Bringing representative groups of people together to innovate and get creative  really helps to push the boundaries and drive growth.

Karen Kariuki

Kerri, tell us something that we wouldn’t know about this space that is propelling women’s sports forward?

Kerri Walsh Jennings

When I was growing up in the game, people would say, ‘Kerri you’re one of the best female athletes ever.’ And I didn’t like it. It didn’t feel good. I hate when we label because it limits.

Now, I’m so proud to be one of the best female athletes that’s ever lived. And I say that very humbly. And thank goodness for Billie Jean King and Title IX. Every door I’ve ever wanted to go through has been opened. All you babies in this room, every door will be open. And that’s a beautiful gift. Now I have this new appreciation for being a strong, empowered female leading the way in sports, opening the doors to bringing more investors, more franchise into my sport.

“Through sports, girls don’t just learn skills and how to play the game — they are developing confidence, resilience, and leadership skills that will serve them throughout their lives.” — Kerri Walsh Jennings

Kerri Walsh Jennings also led volleyball clinics for 50 middle and high school girls as a part of the day’s events, along with coaches from Northeast Volleyball Club, based in Norwalk. (photo by Jacek Dolata)

Karen Kariuki

Kerri, one of the things that you’re doing in addition to all the other hats you wear, you’re the founder of the nonprofit p1440, and you’re also launching a league. Can you talk about these initiatives?

Kerri Walsh Jennings

 p1440 is largely focused on the youth. The clinic we had today, our company in beach volleyball and indoor volleyball, holds clinics and tournaments and the opportunities to train. The sport itself is the heart of us, but it also teaches about how to deal with anxiety and mental health issues and how to really own your voice. And that’s what the sport gave me. So we have a nonprofit side and a for-profit side, and we’re really developing these beautiful leaders of tomorrow through the sport of volleyball.

And then the new venture we’re working on is called Major League Volleyball. And basically, there’s three other pro leagues that exist right now. We see an opportunity within professional women’s indoor volleyball that no one, respectfully speaking of the three that exist, are thinking [like] we want to be like the NBA or NFL. Where we bring the best in the world here to compete in America. We have the best coaches and best players globally. They all come here, have a great career, and then they go off to Olympic teams. And so that’s where we see Blue Ocean. Right now, we’re talking to franchise owners.

Everyone is saying, we are dying to be in your sport, and we just want the right engine to align with. In my opinion, things that make big dreams possible is having the audacity to dream big.

… things that make big dreams possible is having the audacity to dream big. — Kerri Walsh Jennings

Karen Kariuki

Why the name for your nonprofit?

Kerri Walsh Jennings

We wanted to create platforms off of which the athletes can share their voices, where they can launch their careers and develop themselves. And there are only 1,440 minutes in the day. And if you can live in the moment with all your heart and really prioritize living your minutes mindfully, life is awesome.

Karen Kariuki

Can you all comment on the opportunities and the key levers we need for growth?

Danette Leighton

I think you’re seeing the vast potential. I’ve always said what’s interesting about women’s sports is that it’s like a startup that was never really invested in. You’ve had 51 years of this product ripening. You also have all these adjacent parts of women’s sports. There’s also the lack of the merchandising side of the business and the lack of actual what’s available for being a fan of women’s sports. So, there’s potential growth that hasn’t even been tapped.

There are 55,000 girls and women serving organizations in this country that are nonprofits, but we get 1.8% of the philanthropic giving in this country. So, there’s so many places to be in, and our hope is that more will invest.

Kerri Walsh Jennings

I heard this quote, “There’s great danger in being too rational in life.” If you keep rationalizing all the time, you’re going to be stuck in the middle. That’s like mediocrity. And so, my hope is for those people who are looking to invest in women’s sports, it’s kind of back what I said earlier: We got to be audacious.

Jasmine Robinson

I think just the way the women’s sports ecosystem is evolving: You need to have a little bit of this lean-forward mentality. I think when we were making our first investment in the NWSL team in Boston and the expansion fee was $53 million, people were thinking, that’s pretty expensive. That seems really risky. I think you overpaid. Fast forward to a little over a year later and the next expansion team sells for $110 million. This is not to say that things are always going to continue neatly doubling like that. The secret sauce is to really get involved and be able to be a part of building the most premium teams and opportunities within women’s sports.

 

(l-r) Krishna Desai, Former Dir. Strategy and Investments, NFL; Karen Kariuki; Sharon Prince; Jennifer Langton, MBA, Former Sr. VP, NFL; Kerri Walsh Jennings; Marci Goolsby, Director of Sports Medicine, WNBA (Women’s National Basketball Association) & her daughter; Danette Leighton; Amy Brooks, Pres. of New Business Ventures, National Basketball Association (NBA); & Jasmine Robinson. (photo by Jacek Dolata)

Karen Kariuki

Kerri, you had shared something about forward leaning with the girls in one of the clinics today. Can you talk about that?

Kerri Walsh Jennings

Every Olympic medal is the Goddess Nike which represents the goddess of victory. What I love so much about the Goddess Nike is that it was said she was always in forward motion, which to me is so powerful. So, on the medals, she’s taking a step forward. And I think that’s just an invitation for all of us, no matter where we are in our lives. If we’re here trying to change the world and really nurture where we’re going, that forever-forward mentality is important. Then the ride to the top of the Big Dipper is exciting.

And stay curious and engaged. As someone who pursues excellence, and I want to embody sustained excellence, I know that’s what separates gold from anything else – it’s the way you show up daily, not just once in a while. And that’s what allows for greatness.

“It’s the way you show up daily, not just once in a while. And that’s what allows for greatness.” — Kerri Walsh Jennings

Karen Kariuki

We have time for just one more question.  Could you each close with what is your hope for the future of women’s sports.

Jasmine Robinson

I hope for collaboration and the way we can bring different pieces of the ecosystem together, different stakeholders together, different types of people together to really advance and grow women’s sports. I think that’s the way that we can really supercharge the growth going forward.

Danette Leighton

I think my hope is that it’s going to take every generation. So, I am a mother of a daughter, so for me, she played sports, was never was a great athlete like her mother, but she’s a STEM kid and she’s getting a genetics genomics degree at the University of Wisconsin. She’s going to go lead in a different way. And sports was a big part of that journey for her. She learned the intangibles.

My hope is that every generation will take it to the next level.

Kerri Walsh Jennings

My hope is for the generation to play for the love of the game. And I say that because I believe we’re so outcome focused. You have to know your north star and where you want to go. But I feel like if you’re so outcome focused, then you lose the journey and you feel like you have to be perfect, otherwise you’re not going to get that college scholarship. I didn’t think about a college scholarship until I was 14 or 15.

What I hope for all of us is that whatever we’re doing, we do it for the love of it.

Karen Kariuki

Kerri, Danette. Jasmine, what a total dream to be up here with you. Thank you to everybody for coming on this extraordinary International Women’s Day.

“Things that make big dreams possible is having the audacity to dream big.” — Walsh Jennings

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About Grace Farms Foundation

The River building at Grace Farms is embedded in nature. Nearly 80 acres of natural and diverse landscapes surround the award-winning River. (photo by Sahar Coston-Hardy)

Grace Farms is a cultural and humanitarian center in New Canaan, Connecticut that brings people together across sectors to explore nature, arts, justice, community, and faith at the SANAA-designed River building and Barns on 80 acres of publicly accessible natural landscape. Since opening in 2015, Grace Farms has welcomed 1 million visitors from around the world to experience its unique integration of arts, architecture, nature, and purpose.

As a destination for arts and culture, Grace Farms presents innovative programming in music, visual and performing arts while fostering contemplation and connection through architecture and nature. Its humanitarian work includes leading the Design for Freedom movement to eliminate forced labor in the building materials supply chain and advancing initiatives to foster more grace and peace locally and globally.

The integration of cultural programming and humanitarian action reflects Grace Farms’ collaborative approach to generating new outcomes and meaningful change.

Membership

Grace Farms members can visit without advance registration and enjoy a 20% discount on paid programs, retail, and dining, invitations to members-only gatherings, complimentary events, and a welcome gift from Grace Farms Tea & Coffee.

Becoming a member helps us advance our mission to pursue a more peaceful world and supports the preservation of the River building and its surrounding 80 acres.

For more information, visit gracefarms.org/membership.

Visit our calendar of events to learn more about upcoming programs.

Sign-up for our newsletter

Follow us

@gracefarmsct #gracefarms

 

 

 

10th Anniversary Season | We all build

“Every day that we are gifted the opportunity to wake up on Earth, we build … Our 2025-2026 season is an invitation to create pathways toward grace and peace with creativity, empathy, community, and joy together.” – Chelsea Thatcher, Chief Strategic Officer and Founding Creative Director

Over the past 10 years, Grace Farms has welcomed thousands of visitors and hosted world-class performers, artists, and speakers, fostering a space for contemplation and meaningful dialogue. Our 10-Year celebration featured the unveiling of Dancing Trees, new site-specific seating designed by Kazuyo Sejima of SANAA, as well as a conversation between the architect and Grace Farms CEO and Founder Sharon Prince; viewing of a new installation of the With Every Fiber | Pigment, Stone, Glass exhibit, featuring five new commissions inspired by the Design for Freedom movement; artist-in-residence James Florio discussing his new photographic work at Grace Farms, of Haida Gwaii in British Columbia, Canada from which Grace Farms’ new fascia is sourced; viewing of Alicja Kwade’s new permanently installed sculpture, ParaPosition; and musical performances by acclaimed Canadian cellist Arlen Hlusko and GRAMMY® award-winning violinist Joshua Bell. (Feature photo by Dean Kaufman)

New Sculpture by Alicja Kwade

Grace Farms’ 10th Anniversary Season which runs through May 2026, launched with the unveiling of  a new acquisition and permanent sculpture by Alicja Kwade, ParaPosition, 2024. Comprised of interlocking steel frames supporting two boulders and an inverted chair made of bronze, ParaPosition’s array of metal and stone draws viewers into the frame of this massive, yet fragile, universe. ParaPosition joins other site-specific public art installations on permanent display at Grace Farms, including Beatriz Milhazes’s Moon Love Dreaming (2016), Teresita Fernández’s Double Glass River (2015), and Thomas Demand’s Farm 56 & Farm 88 (2015).

Photo by Dean Kaufman

“Alicja Kwade is approaching themes about society and human flourishing in the same spirit as we are at Grace Farms Foundation — imploring us to expand our perspective by asking questions. At Grace Farms, we seek new outcomes on pressing humanitarian issues by breaking down silos and facilitating dialogue across sectors.” – Sharon Prince, Grace Farms CEO and Founder.

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 “Our 10-year theme is inspired by Sharon Prince, who took an imaginative leap to create Grace Farms, a humanitarian and cultural center rooted in a belief in people’s capacity to act for the good of others and the Earth.” – Chelsea Thatcher

Day of Celebration Highlights

Unveiling of Dancing Trees in the Plaza

The unveiling of Dancing Trees in the Plaza, a new site-specific seating designed by Kazuyo Sejima of SANAA. From left to right: Toshihiro Oki, Grace Farms Architecture Advisor Kazuyo Sejima, Sharon Prince, CEO and Founder of Grace Farms, Chelsea Thatcher, Founding Creative Director, Grace Farms. (photo by Melani Lust)

Award-Winning Violinist Joshua Bell

Award-winning violinist Joshua Bell received a standing ovation during his performance in the Sanctuary. (photo by Melani Lust)

Acclaimed Canadian Cellist Arlen Hlusko

Grace Farms’ Artist-in-Residence and GRAMMY®-winning Canadian cellist Arlen Hlusko performed during the day.

New Commission by Photographer James Florio

Grace Farms Artist-in-Residence James Florio has created a new photographic work, Haida Gwaii, 2025, on permanent display in Grace Farms’ Library. Florio was inspired by his trip through Taan forest in Haida Gwaii, British Columbia, Canada, where Grace Farms procured the Western red cedar wood which was used for their fascia that was installed last spring. The cedar was selected for its longevity, as well as its alignment with the Design for Freedom principles: the Taan forest is ethically and sustainably maintained by the Haida Enterprise Corporation (HaiCo), a company owned 100% by the Haida, the First Nations people who live there.

Hannah Rose Thomas, PhD., Unveils Her Commissioned Painting

Artist Hannah Rose Thomas,  PhD., unveiled a life-size portrait of social entrepreneur
Nasreen Sheikh that is featured in the new iteration of With Every Fiber, along with other featured works.
(See below for more information about the exhibit.)

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 “Each experience is set intentionally within a seasonal moment, to bring us closer to nature as we develop solutions to make the world a more just, sustainable, and peaceful place.” – Chelsea Thatcher

Ground-Breaking 2025-2026 Season

(Register for events)

The full season of programming features a new, ground-breaking series, Grace Farms Lectures. The Lectures bring together visionary leaders who have shaped our world, inviting them to share the wisdom they have learned through their distinguished careers.  Each lecture is accompanied by a 60-minute concert specially curated by Grace Farms Artist-in-Residence Arlen Hlusko and performed by some of today’s most celebrated musicians. The pieces these artists perform respond directly to the life’s work of each speaker and the impact they continue to make.

On January 10, 2026, Sharon Prince will deliver the inaugural lecture on creating spaces that communicate and catalyze good in the world. Other featured speakers include acclaimed scholar and writer and Founding Director of Yale Center for Faith & Culture Dr. Miroslov Volf and Dr. Robin Wall Kimmerer, botanist and acclaimed author.

This season’s programs will include a focus on Grace Farms’ distinctive, daylit music performances in the glass-enclosed Sanctuary, against the backdrop of 80 acres of natural landscapes. Artists include internationally acclaimed cellist and 19-time GRAMMY-winner Yo-Yo Ma, GRAMMY-winning violinist Joshua Bell, a special concert by Grace Farms Artist-in-Residence and GRAMMY-winning Canadian cellist Arlen Hlusko, and a concert with GRAMMY-winning jazz singer Dianne Reeves.

 “Since Grace Farms opened, we have welcomed nearly 1 million visitors and developed programs with world-class performers, celebrated artists, Nobel laureates, social entrepreneurs, and people committed to creating more grace and peace in the world. These programs widen our worldview and create meaningful dialogue.” – Sharon Prince

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new series

Music at Grace Farms

Mon Rovîa

Sunday, November 16, 2025

2 – 3:15 pm

Mon Rovîa reflects journeys of humanity through his Afro Appalachian music as a singer and songwriter, and from his own experiences moving from Liberia during the country’s civil war to the United States.

75-minute performance, no intermission

Broadway Inspirational Voices

Saturday, December 13, 2025

3:30 – 4:30 pm

Broadway Inspirational Voices is a diverse choir and service organization powered by Broadway artists using music to inspire hope and change lives, and will present a holiday repertoire developed by Allen René Louis.

60-minute performance, no intermission

Yo-Yo Ma, cello Solon Gordon, piano

Sunday, January 11, 2026

3 pm

Yo-Yo Ma will perform a recital with pianist Solon Gordon in the Sanctuary, the glass-enclosed indoor amphitheater with 360-degree views of the landscape. Yo-Yo Ma’s multi-faceted career is testament to his belief in culture’s power to generate trust and understanding. Whether performing new or familiar works for cello, bringing communities together to explore culture’s role in society, or engaging unexpected musical forms, Yo-Yo Ma strives to foster connections that stimulate the imagination and reinforce our humanity.

80 min performance

Arlen Hlusko, cello

Saturday, February 21, 2026

4:30 – 6 pm

Hailed for her “sublime cello prowess” (Take Effect) and “absorbing originality” (Gramophone), internationally acclaimed Canadian cellist Arlen Hlusko is a dynamic, versatile artist who has performed extensively across the Americas, Asia, and Europe.

75-minute performance, 15-minute intermission

Dianne Reeves with Romero Lubambo

Saturday, April 18, 2026

4:30 – 6 pm

Dianne Reeves, one of the world’s preeminent jazz vocalists, will perform a program of beautiful duets alongside Brazilian jazz guitarist Romero Lubambo.

75-minute performance, no intermission.

new series

Origin Stories: Celebrating Transformational Leadership

Origin Stories is a series exploring the journeys of visionaries — artists, business leaders, designers, and social entrepreneurs—who have reimagined the world around us.

Grace Farms Tea & Coffee

Origin Stories kicked off on Saturday, September 27, 2025 with Adam Thatcher, Co-Founder and CEO of Grace Farms Tea & Coffee, who shared his journey behind this mission-driven initiative with 100% of profits supporting the Foundation’s humanitarian work to end forced labor.

Adam Thatcher, Co-Founder and CEO of Grace Farms Tea & Coffee, outside the Commons at Grace Farms.

The Empowerment Collective

Thursday, January 22, 2026

11 am – 12 pm

Nasreen Sheikh empowers marginalized women as founder of the Empowerment Collective and Local Women’s Handicrafts and promotes ethical business practices across global supply chains.

Prota Fiori

Thursday March 5, 2026

11 am – 12 pm

Jennifer Stucko launched Prota Fiori to merge craftsmanship with sustainability, using upcycled materials to create elegant, eco-conscious premium quality footwear made in Italy.

new series

Grace Farms Lectures

Sharon Prince

Saturday, January 10, 2026

3 pm Lecture, 4 pm Music

Sharon Prince in the Sanctuary of Grace Farms that provides a 360-degree view of the expansive landscape as well as a view of ParaPosition.

Sharon Prince, CEO and Founder of Grace Farms, will inspire you to see the built environment through new eyes and recognize your own agency in creating spaces that communicate and catalyze good in the world. Chamber Musicians: Jennifer Frautschi, Vijay Gupta, Michelle Ross & Blake Pouliot, violins; Ayane Kozasa & Melissa Reardon, violas; Arlen Hlusko & Gabriel Cabezas, cellos; Anthony Manzo, bass; Pallavi Mahidhara, piano; Emi Ferguson, flute; Yoonah Kim, clarinet; Gina Cuffari, bassoon Optional Workshop: Join the Rest House Workshop by Slade Architecture and put design ideas into action.

Dr. Miroslav Volf

Saturday, February 7, 2026

3 pm Lecture, 4 pm Music

Founding Director of Yale Center for Faith & Culture, and one of the most significant theologians of our time, Dr. Miroslav Volf will create the opportunity to pause and consider the question: what is a life worth living? String Quartet: Adrian Anantawan & Lun Li, violins; Celia Hatton, viola; Arlen Hlusko, cello Optional Workshop: Join Drew Collins, Associate Research Scholar from the Yale Center for Faith & Culture, for a workshop designed to complement the lecture.

Dr. Robin Wall Kimmerer

Saturday, March 7, 2026

3 pm Lecture, 4 pm Music

A writer of “rare grace,” Dr. Robin Wall Kimmerer offers powerful and poetic explorations of how human beings connect with nature and one another. Flute Quartet: Alex Sopp, flute; Simone Porter & Owen Dalby, violins; Milena Pajaro-van de Stadt, viola; Arlen Hlusko, cello Optional Workshop: Join Director of Horticulture Kimberly Kelly for a workshop designed to complement the lecture.

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During Open Arts Studio

10 am – 2 pm

Children are welcome to create a project that connects with the lecture theme.

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New Installation of With Every Fiber Exhibit

On view beginning October 11, 2025, Grace Farms will open a new iteration of the With Every Fiber exhibit, which offers insights into forced labor in the building materials supply chain.

With Every Fiber presents Design for Freedom, Grace Farms’ work to elevate human rights and eliminate forced and child labor in the built environment. It tells the story of this work through new, commissioned artworks. These pieces have been created by John Sabraw, artist and Professor of Art at Ohio University, Nina Cooke John, Principal of Studio Cooke John Architecture & Design and designer of With Every Fiber, Webb Yates Engineers in London, and artist Hannah Rose Thomas, who will be unveiling a life-size portrait of modern slavery survivor and social entrepreneur Nasreen Sheikh. The London Philharmonic Orchestra, which has a long partnership with Grace Farms, is recording a new commission for this exhibit.

With Every Fiber incorporates Design for Freedom’s principles into its design, including prioritizing circularity. The exhibit is circular in design — materials from past Grace Farms exhibitions are repurposed throughout. Traditionally, exhibit materials, from walls to flooring, are often built for a single use and then discarded. Elements used in this exhibit will be reused in future iterations.

The new iteration of With Every Fiber is designed to help the public reimagine architecture with fair labor. It brings forward innovative solutions in stone, pigment, and glass — building materials that are typically at high-risk of forced and child labor — and highlights breakthrough approaches to ethical sourcing that will create a more humane built environment for all. — Chelsea Thatcher

A portion of With Every Fiber was adapted and included in the Intelligens CANON at the 19th International Architecture Exhibition of La Biennale di Venezia, curated by Carlo Ratti, open through November 2025.

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10 Years of Extraordinary Outcomes – Highlights

October 2015Opening of Grace Farms

 

 

Grace Farms welcomes 5,000 visitors on opening day to experience nature, encounter the arts, pursue justice, foster community, and explore faith

Grace Farms is awarded the 2014-2015 Mies Crown Hall Americas Prize, given to the best built work in North and South America

2016One Year Anniversary

Grace Farms unveils a new mural, Moon Love Dreaming, 2016 by Beatriz Milhazes, in the West Barn. New York City Ballet principal dancer Wendy Whelan performs and celebrates architects Kazuyo Sejima and Ryue Nishizawa who returns to Grace Farms for the occasion

Grace Farms brought together individuals, corporations, governmental agencies, and nonprofits for a workshop with United Nations University to address human trafficking in conflict zones, which resulted in a United Nations Security Council Resolution 2331

2017Artist Collaborations and Artist-in-Residence Launches

Artist Meredith Monk, an artist-in-residence at Grace Farms that year, develops Cellular Songs, inspired in part by Grace Farms’ landscape. The piece premieres at the Brooklyn Academy of Music

Launched the Practicing series, which focused on empathy, awe, silence, and joy, featuring choreographer Bill T. Jones, poet Ilya Kaminsky, choreographer Andrea Miller, and author and scholar Peter C. Bouteneff

Partnered with the United Nations University (UNU) to co-host a convening focused on disrupting the ties between the financial sector and human trafficking, leading to the proposal of 25 specific recommendations published in a UNU workshop report. Convening leads to the formation of Finance Against Slavery and Trafficking

Collaborated with the Yale Center for Faith & Culture to offer the “Life Worth Living” course for the first time outside of Yale University

The American kestrel, America’s smallest falcon and a species of concern, returns to the area due to Grace Farms’ habitat restoration and installation of nesting boxes

The River building is LEED certified, recognizing Grace Farms’ sustainability measures for Building Design and Construction (BD+C)

2018Established the Design for Freedom Working Group

Sharon Prince presides over working group meeting with build environment leaders.

Design for Freedom Working Group is established with leaders within the built environment

Julianne Swartz’ temporary site-responsive installation, Joy, Still opens

Journalists Michelle Boorstein of The Washington Post and Wajahat Ali from CNN and New York Times contributor lead a discussion on faith and media

2019 – Significant Expansion of Public Programs

Nicholas Kristof and Dr. Denis Mukwege discuss the treatment for survivors of sexual violence in the Democratic Republic of the Congo. Photo by Vanessa Van-Ryzin

 Welcomed Nobel Peace Prize winner Dr. Denis Mukwege and acclaimed journalist Nicholas Kristof, who discuss the treatment for survivors of sexual violence in the Democratic Republic of the Congo

Supported artist Carrie Mae Weems during her artist-in-residence where she continued her ongoing investigation of gender and racial related violence. Weems’ contributions included a public lecture and a full-cast presentation of her performance-based work, Past Tense

Scaled the Space Grants program to include more national and international organizations, including eight organizations with global reach

U.S. Army Chaplains from around the world, which has been supporting soldiers’ diverse spiritual needs since 1775, traveled to Grace Farms to discuss “What makes life most worth wanting?”

Sharon Prince and Grace Farms receive American Institute of Architects New York Chapter NYC Visionary Award

Grace Farms is awarded LEED Silver certification for Operations + Maintenance

Grace Farms becomes New Canaan founding partner of the Pollinator Pathway, a nationwide movement that protects and establishes essential native habitats for pollinators

2020 – Grace Farms Transformed into a Humanitarian Hub & Launches Design For Freedom

 

100% of Grace Farms staff is dedicated to relief work to address the COVID-19 crisis

Grace Farms launches the Grace Farms Relief Fund for Connecticut and the Grace Farms Alliance Against COVID, securing $4.8 million in individual donations, grants, in-kind donations, and support from the state of Connecticut for relief efforts

Secures, donates, and delivers 2 M PPE to frontline health care workers, closing the PPE gap

Donates more than 150,000 healthy meals to neighbors to neighbors in need

Launch of the Design for Freedom, the global movement to eliminate forced labor from the building materials supply chain, with over 60 global industry leaders

Publishes the ground-breaking Design for Freedom Report with research of materials at high-risk of forced and child labor and contributions by industry experts

Partner with Working Group member Herman Miller and Design Within Reach to retail an ethically-manufactured face mask inspired by the roof of Grace Farms’ iconic River building. The mask is long-listed by the Dezeen Awards

2021 – Launch of Grace Farms Tea & Coffee

Co-Founders of Grace Farms Tea & Coffee Adam Thatcher and Sharon Prince often visit farmers who supply their tea and coffee ingredients.

The Certified B Corp demonstrates what Grace Farms advocates for: ethical and sustainable supply chains. 100% of profits support Design for Freedom

Governor Ned Lamont signs a bill to modernize the procurement process in Connecticut, signing the legislation at Grace Farms in recognition of Grace Farms’ COVID-relief work

Design for Freedom partners with artist Carrie Mae Weems on her artist-driven education campaign Resist COVID/ Take 6! Together, donated and delivered 44,000 PPE to healthcare centers in Arizona, Oklahoma, South Dakota, and Utah that served Native communities

Peace Forest and Common Good Through Crisis, two new exhibits, open

Temporal Shift, a new site responsive sculpture, opens in the Courtyard, the first Design for Freedom Pilot Project

Publish River Retreat, a guide to consider most profound questions of our lives

Grace Farms produces Then and Now about civil rights icon Ruby Bridges, who encourages people to create change by “stepping out of the corner”

Produced Against the Grain series to address innovative initiatives to combat food insecurity featuring organizations such as the Rockefeller Foundation

2022 – Sharon Prince is recognized by Fast Company

Sharon Prince is recognized by Fast Company as one of the 50 most creative people in business for “cleaning up construction”

A series recognizing the important role that women play in our communities. First programs featured Indra Nooyi, former chair and CEO of PepsiCo, Brooke Baldwin, former CNN anchor, and Elizabeth Davis, Principal at the Female Innovators Lab by Barclays and Anthemis Group

Grace Farms launches Education Program, welcoming school groups for programs that align with the Next Generation Science Standards, Common Core, CT State Social Studies Frameworks, and Social and Emotional Learning practices

Launch of the first-ever Design for Freedom Summit and the Design for Freedom Toolkit. Former UN High Commissioner on Human Rights, Prince Zeid Ra’ad Al Hussein notes in his welcome address “all good revolutions begin like this”

The first international Design for Freedom Pilot Project, the 21st Serpentine Pavilion, Black Chapel, designed by Theaster Gates, opens in London. U.K.

Partnership with London Philharmonic Orchestra (LPO) established; performance on U.N. World Day Against Child Labor with 100 leaders in London at Black Chapel

2023Design for Freedom Pilot Projects Expands

 

Design for Freedom Pilot Project, Shadow of a Face, a monument to Harriet Tubman designed by Nina Cooke John, opens in Newark, NJ

Grace Farms welcomes two-time U.S. Poet Laureate Joy Harjo who speaks on our relationship to the Earth and all living things

As a part of Making Space for Women, held Madam President | Leaders in Higher Education with Sian Leah Beilock, then President of Barnard College and President-Elect of Dartmouth; Frances Bronet, President of Pratt Institute; Helene Gayle, MD, President of Spelman College; and Laura Sparks, President of The Cooper Union for the Advancement of Science and Art

Launched Ethical Supply Chain Workshop in partnership with Turner Construction and the U.S. Department of State’s Bureau of Overseas Buildings Operations to explore how to take collective action to reduce the risk of forced labor in the building materials supply chain

Initiated the Living Classroom series to enhance the hands-on learning experiences for visitors, teaching them about biodiversity’s crucial role in purifying air, water, and soil

Grace Farms is certified as a Wildlife Habitat by the National Wildlife Federation, and as a Monarch Waystation by the nonprofit Monarch Watch (Other certifications include Certified Wildlife Habitat Garden, and Grace Farms is a member of the Xerces Society.)

2024The London Philharmonic Orchestra Performs at 9th Anniversary Benefit

Led by 2023/24 Fellow Conductor, Luis Castillo-Briceño, with 31 world-class musicians, the Orchestra’s performance explored Grace Farms and the LPO’s respective themes of “Architecture Moves Us” and “Moments Remembered.” The event was sold out. Photo by Dean Kaufman

With Every Fiber, the first long term exhibit to bring Design for Freedom to the public, opens

Grace Farms Tea & Coffee launches new line of wellness teas and expands into Whole Foods markets in the Northeast and its corporate partnership program to include JPMorganChase, Bloomberg, and others

Launch of the Design for Freedom International Guidance & Toolkit and accelerators in the UK and India

Design for Freedom Pilot Projects now reach across three continents

Gold LEED recertification for Operations and Maintenance (O+M), building on past LEED certifications

Reverend Lisa Lynne Kirkpatrick and Dr. Matthew Croasmun, Associate Research Scholar and the Director of the Life Worth Living program at the Yale Center for Faith & Culture at Yale Divinity School, address how faith plays a pivotal role in mending community divides

More than 3 million various species of native grasses populated our meadows after sowing 18 pounds of native grasses and pollinator plants 

2025Grace Farms Celebrates 10 Years

First permanent sculpture at Grace Farms, Paraposition by Alicja Kwade, unveiled

New fascia, made of Western red cedar from Haida Gwaii in British Columbia, is installed along the River building’s half-a-mile-long canopy

New iteration of With Every Fiber: Pigment, Stone, Glass opens

New permanent works by James Florio and Hannah Rose Thomas, PhD are unveiled

Launch of the Humanity in Architecture Film Festival at Grace Farms in collaboration with ADFF

Components of With Every Fiber from Grace Farms is included in Carlo Ratti’s Intelligens CANON, a section of the 19th International Architecture Exhibition in Venice

“The possibilities to create a more humane and equitable future together remain as vast as our landscape. – Sharon Prince

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Outcome by the Numbers

  • Welcoming 100,000 visitors a year or 1 million over the past 10 years
  • During COVID pandemic in 2020, 169,276 pounds of nutritious meals and pantry staples distributed to 67,897 individuals through our Food Relief program
  • 130,000 pounds of carbon are sequestered from the atmosphere each year by the 2,000 + trees (over 50 species) on Grace Farms’ property
  • Design for Freedom presentations, speaking engagement, and events, reaches over 25,000 since its launch in 2020
  • 17,244 visitors encountered Temporal Shift, a temporary sculpture from artist Alyson Shotz
  • 45-minute-film, Then and Now, about American civil rights leader Ruby Bridges produced by Grace Farms reaches more than 12,000 students, teachers, community members
  • 7,000 visitors to artist Julianne Swartz’s three-part installation Joy, still. in the River building at Grace Farms
  • Over 5,400 visitors since launching Earth Day in 2016
  • More than 4,000 welcomed in 2023 to launch of Voices of Culture series, to experience the work of acclaimed, diverse musicians
  • Over a dozen Design for Freedom Pilot Projects across three continents to demonstrate building without forced and child labor is possible
  • 70% 0f Grace Farms’ acreage has been restored to pollinator-friendly native habitats

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About Grace Farms

Grace Farms is a cultural and humanitarian center in New Canaan, Connecticut that brings people together across sectors to explore nature, arts, justice, community, and faith at the SANAA-designed River building and Barns on 80 acres of publicly accessible natural landscape. Since opening in 2015, Grace Farms has welcomed 1 million visitors from around the world to experience its unique integration of arts, architecture, nature, and purpose.

As a destination for arts and culture, Grace Farms presents innovative programming in music, visual and performing arts while fostering contemplation and connection through architecture and nature. Its humanitarian work includes leading the Design for Freedom movement to eliminate forced labor in the building materials supply chain and advancing initiatives to foster more grace and peace locally and globally.

The integration of cultural programming and humanitarian action reflects Grace Farms’ collaborative approach to generating new outcomes and meaningful change.

Membership

Grace Farms members can visit without advance registration and enjoy a 20% discount on paid programs, retail, and dining, invitations to members-only gatherings, complimentary events, and a welcome gift from Grace Farms Tea & Coffee.

Becoming a member helps us advance our mission to pursue a more peaceful world and supports the preservation of the River building and its surrounding 80 acres.

For more information, visit gracefarms.org/membership.

Visit our calendar of events to learn more about upcoming programs.

Sign-up for our newsletter

Follow us

@gracefarmsct #gracefarms

Fall Day Trips | The Best Things To Do In Connecticut

Enjoy 80 Acres of Fall Foliage, Music, Nature Walks, Family Activities and More

The season’s changes brings more than exploring fall foliage at Grace Farms. Within our 80 acres of natural meadows and woodlands, visitors can discover nature’s seasonal patterns, including fall bird migration. Besides the birds migrating south to warmer weather, the constellations also follow their own unique shifts as the northern hemisphere transitions into fall. These seasonal changes also signal the start of our 2025-2026 Season. For more information on events and the season visit our event’s calendar.

Grace Farms is free to the public and open Tuesday through Saturday from 10 am-6 pm; Sunday from 12 pm-6 pm.

“We have created these exceptional experiences across various fields to capture the spirit of the transformative work we have undertaken and the future we continue to build in community with one another. We hope you leave feeling connected to a robust and diverse community, grounded in a shared vision of grace and peace.” – Sharon Prince

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Fall Day-Trip Suggested Itinerary

Music at Grace Farms

Sunday, November 16, 2025, 2 – 3:15 pm

Mon Rovîa reflects journeys of humanity through his Afro Appalachian music as a singer and songwriter, and from his own experiences moving from Liberia during the country’s civil war to the United States. 75-minute performance, no intermission

Nature

Explore the Grace Farms Garden, meadows, and surrounding landscape while learning about nature through seasonal workshops and walks.

Our Director of Horticulture Kimberly Kelly helps visitors of all ages explore all aspects of nature.

Nature Workshops

Saturdays 11 am – 12 pm

Learn about various cultural practices that rely on nature, including flower bouquets, the impact of seeds, and holiday décor. This workshop series is for adults of all experience.

Slow Flower Bouquets, September 13, 2025

Garlic Workshop November 8, 2025

Guided Nature Walks

Select Fall Saturdays 11 am – 12 pm

Through guided walks, connect with the purpose of the ecosystems we inhabit, the vibrant life that’s part of it, and our role in maintaining and adding to it.

Birdwatching September 27 & October 4, 2025

Autumn Stroll September 20 & October 25, 2025

Guided tours offer an opportunity to learn about the natural landscape at Grace Farms while enjoying nature © Vanessa Van Ryzin

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Architecture Around the World

Haida Gwaii, 2025 | James Florio in conversation with Toshihiro Oki

Saturday, October 11, 2025

Join photographer James Florio and Grace Farms Architecture Advisor Toshihiro Oki at the unveiling of Florio’s new permanent photographic work for the Grace Farms Library as they discuss Haida Gwaii, their experience in an ancient forest stewarded by the Haida people, and how centering respect for land and community fosters deeper harmony.

Rest House Workshops

November 8, 2025

The Rest House Project creates sustainable rest and community spaces for tea and coffee farmers, guided by Design for Freedom. Join workshops by Slade Architecture exploring ethical design in Sumatra, Indonesia and beyond.

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Grace Farms Tea & Coffee

Creating change is as simple as changing the coffee and tea you drink.

Exceptional Teas

Cultivated with care from farm to cup, Grace Farms is the only US-based tea brand that sources Fairtrade™ and organic ingredients, supporting farmers & the planet.

Coffee that Inspires

Make every morning one that matters with bold, organic coffee sourced exclusively from women-led co-ops in the finest coffee growing regions in the world.

Giving back 100%

The only thing we love as much as great coffee and tea is giving back. As a nonprofit owned Certified B Corp™ 100% of profits support Design for Freedom, ending forced and child labor worldwide.

In Fall 2025, Grace Farms Tea & Coffee will open its first retail store at the corner of 48th Street and Madison Avenue in New York City, at the base of JPMorganChase’s new global headquarters.

Journey into the World of Tea

 Led by Tea Expert Frank Kwei, this exploration of tea offers guests a taste of notable varietals from cultures around the world, with demonstrations and more.

Grace Farms’ Tea Expert Frank Kwei visits a tea plantation in India. Grace Farms’ teas and coffee are ethically and sustainably made.

September 24, November 19

Afternoon Tea

Fridays 3 – 4:30 pm

Gather with friends in the glass-enclosed Pavilion to enjoy a pot of warm tea with an eye-catching assortment of delightful bites that fuse traditional and seasonal flavors.

September 19, November 14, 2025

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Wellness and Movement

The Way of an Athlete

A Special Event with Kerri Walsh Jennings

Kerri Walsh Jennings leads a sport’s clinic at Grace Farms earlier in the year. Photo by Jacek-Dolata.

Saturday, November 1, 2025, 3 pm

Join us at Grace Farms for The Way of an Athlete, featuring three-time Olympic Gold Medalist and five-time Olympian Kerri Walsh Jennings. This dynamic experience will immerse participants in the world of elite athletics, mindset mastery, and personal growth.

Move with Grace Farms x lululemon

Monthly 10:30 am – 12 pm

Restore and ignite the energy needed to live a more balanced life during monthly movement classes developed in collaboration with local lululemon ambassadors.

September 20, November 15, 2025

Yoga and Movement with Pilin Anice

Monthly 10:30 – 12 pm

Experience movement and music in the light-filled Court with renowned mindfulness and wellness expert, Pilin Anice.

September 6, October 4, 2025

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Culinary Experiences

Join Grace Farms Pastry Chef and Educator Leah Jones for educational and interactive explorations of the complex ways in which food intersects with our lives.

Mocktails

Thursdays 6:30 – 7:30 pm

Follow Chef Leah’s recipes to create three seasonal beverages from ingredients inspired by Grace Farms Tea & Coffee, while discovering connections between food, culture, and community.

September 11, November 6, 2025

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Weekly Children and Family Programs

All Ages

Imagination Playground Returning September 2025, children can build skills, solve problems, and make friends in the Court using an innovative system of large-scale, lightweight blocks designed to encourage fun and learning through curiosity-driven play. For ages 8 and under with adult caregivers.

Bunny Book Group

Fridays Up to 5 yrs

Listen to stories from our curated collection of books and take part in an arts and crafts activity.

Studio Beginnings

Thursdays Ages 1 – 5

Inspired by the River building and the surrounding landscapes, these mornings in the art studio encourage our youngest builders, designers, and artists to think, play, create, and experiment with texture, form, line, color, and space.

Open Arts Studio

 

 

Thursdays and Saturdays Ages 4 – 11

Open Arts Studio is a site-responsive creative exploration for younger audiences to engage in open-ended inquiry and reflect on the building, its shapes and designs, and its ideas.

Materials Studio

Tuesdays and Wednesdays Ages 4 – 11

Families are invited to learn about the unique properties of the different materials in With Every Fiber and through art making, imagine new applications for them.

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About Grace Farms

Grace Farms is a cultural and humanitarian center located in New Canaan, CT.

We bring together people across sectors to explore nature, arts, justice, community, and faith at the SANAA-designed River building on 80 acres of publicly accessible, preserved natural landscape.

Grace Farms, with its open architecture, breaks down barriers between people and sectors and invites conversation, curiosity, and proximities. This collaborative approach to comprehensively address humanitarian issues and generate new outcomes is reflected across all of our initiatives and the place of Grace Farms.

Membership

Grace Farms Membership offers deeper connection with the surrounding landscape and community, while supporting our mission to create more grace and peace the world, which includes the work of the Design for Freedom movement to eliminate forced labor in the building materials supply chain as well as the ongoing preservation of the River building and its surrounding 80 acres.

Members enjoy discounts on retail, dining, and programs, and dining, a gift from Grace Farms Tea & Coffee, and early or complimentary access to select programs.

Visit our calendar of events to learn more about upcoming programs.

Sign-up for our newsletter

Follow us

@gracefarmsct #gracefarms

 

10th Anniversary Season Opening | Alicja Kwade’s ParaPosition

“Alicja enlarges our sense of the world and our place in it.” — Chelsea Thatcher

Grace Farms, known for its boundary-defying culture, invites artists and leaders across sectors to push boundaries that often result in unprecedented outcomes including Grace Farms’ Design for Freedom, a global movement to eliminate forced and child labor from the built environment.

As part of its 10th Anniversary Season, sponsored by JPMorganChase, that opened on September 13, Grace Farms unveiled a new permanent sculpture, ParaPosition, 2024 by Alicja Kwade. Kwade, who started a residency in Rome two days prior, joined Chief Strategic Officer and Founding Creative Director, Chelsea Thatcher, at Grace Farms for a conversation about her inspiration and the sculpture’s dialogue with our site and mission. The conversation was followed by a special reception. (Feature photo by Melani Lust)

Chief Strategic Officer and Founding Creative Director, Chelsea Thatcher, joined artist Alicja Kwade on stage in the Sanctuary for a conversation about her inspiration for ParaPosition. Photo by Dean Kaufman

“Alicja Kwade is approaching themes about society and human flourishing in the same spirit as we are at Grace Farms Foundation — imploring us to expand our perspective by asking questions,” said Sharon Prince, Grace Farms CEO and Founder. At Grace Farms, we seek new outcomes on pressing humanitarian issues by breaking down silos and facilitating dialogue across sectors.”

The permanent work of this Berlin-based artist – internationally known for sculpture, expansive public installation, film, and photography – joins an illustrious group of artists and performers from the world’s finest London Philharmonic Orchestra (LPO) to Meredith Monk, whohas mapped a world that never quite existed in the history of the arts, says The New Yorker. Every artist, musician, and performer invited to Grace Farms has offered new perspectives and left their indelible mark.

Thatcher has been responsible for mapping the artistic and cultural vision at Grace Farms. “Heading into our tenth year, I continue to see this as a unique opportunity to be part of building Grace Farms into a vision for grace and peace in the world. … And I believe culture can be a strong force in the connections, community, and communication that are so critical to that end,” Thatcher said in a recent interview with Bedford & New Canaan Magazine.

Besides LPO and Monk, Thatcher has brought other world-class performances to Grace Farms including NYC Ballet, Gallim Dance – a contemporary dance company that celebrates human connection, Alvin Ailey American Dance Theater, and Carrie Mae Weems, “perhaps our best contemporary photographer … rewriting the rules on image-making, says The New York Times. Thatcher also curates Grace Farms’ long-term exhibits including Peace Forest, an immersive installation inspired by nature, highlighting how the landscape, architecture, and people at Grace Farms are part of the Foundation’s mission, while With Every Fiber  “aims to inspire understanding and care about the materials that make up the built world around us and highlight the possibility for innovation in the space,” Thatcher says.

“I’m trying to see what reality is for me, and what it is for us all.” — Alicja Kwade, ArtReview

While Weems is rewriting the rules on image-making, Kwade is challenging our perception of our place in the universe. “Ms. Kwade, 40, has become known in recent years for her sculptures that seem to test or bend the laws of physics and that explore broader questions about the nature of reality and our position within the universe, according to a 2019 New York Times article.

When visitors encounter ParaPosition at Grace Farms, the sculpture will likely evoke questions about our place on this planet, as well as implore us to expand our perspective, as Prince suggests. Comprised of interlocking steel frames supporting two boulders and an inverted chair made of bronze, ParaPosition’s array of metal and stone draws viewers into the frame of this massive, yet fragile, universe. The substantial stones, with their immense weight, appear to defy gravity in an almost weightless balancing act. The chair beckons viewers to reflect on our relationship with the world and contemplate the fundamental nature of our existence.

“From the moment I release the work from my studio, I’m not there to tell people what to think. It should do something. It should touch you in some way. If it’s just pure beauty, that’s okay.” — Alicja Kwade, Cultured Magazine

Kwade’s installations have been featured at major U.S. museums, including the Metropolitan Museum of Art (The Met) in New York, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and the List Center at MIT in Cambridge, Massachusetts. ParaPosition joins other site-specific public art installations on permanent display at Grace Farms, including Beatriz Milhazes’s Moon Love Dreaming (2016), Teresita Fernández’s Double Glass River (2015), and Thomas Demand’s Farm 56 & Farm 88 (2015).

ParaPosition in Grace Farms’ North Field that overlook the expansive meadows and woodlands. Photo by Dean Kaufman

ParaPosition, situated in the north field of Grace Farms — is the highest point of the preserved landscape that overlooks the Sanctuary, acres of natural woodlands and meadows. The glass-enclosed Sanctuary, used for panel discussions, lectures, world-class musical performances, and more, allows for a 360-degree view of Grace Farms nearly 80-acre preserve.

“Alicja’s work packs a wallop.  She pushes materials to a limit, working with engineers to the edge of ‘you can’t do that’ and challenging the system … to understand reality.” Pedro Alonzo, curator

Below are excerpts from their discussion, edited for clarity:

Chelsea Thatcher

One of the aspects that you’ll see here for us sitting in here is the design that Sharon made so that you could have different activities, different audiences experiencing different things, but yet all connected through the glass. So, we’ll be able to see children spreading those wildflower seeds as we start our conversation in here.

Can you explain your initial vision for ParaPosition?

Alicja Kwade 

I developed ParaPosition from a series I started about seven years ago.

And I kind of literally tried to work against gravitation, to do the impossible: to bring up things we know as being down. It was also about thinking of the universe, what surrounds us, what flies above us, and where our feet are grounded. I developed it for my mid-career show in the Netherlands, but I was very glad it found a new home.

Because an art piece itself, of course it’s very much differently seen in different environment but still it’s an art piece on its own and I’m very glad how different again it appears in this landscape here.

Chelsea Thatcher

ParaPosition is situated at the highest point of the property, which is open to the sky and cosmos.  Our Director of Horticulture, [Kim Kelly and Emily [Altman, Director of Arts Operations, Publications and Exhibits have created an environment where it also feels intimate. You can see butterflies and dragonflies up close yet also have vast views into the landscape.

Can you tell us a little about some of the questions embedded in the sculpture?

Alicja Kwade 

Those questions are embedded in myself …  It’s more about my thinking and what is driving me — about why things are as they seem to be, what our place is on this planet, and how we navigate within this given system.

I don’t take things for granted. I don’t take them for as normal. For me it’s a constant question: What is my role here? Why I’m here? Why do I believe I am “me”? Why are my feet on the ground?

These questions drive me. And yes, they are in the sculpture.

We are in this “para position” —  para comes from an old Greek term, which means we not one line. We are in this very difficult human position that we are here, but we have no clue why and we will possibly never find out.

Chelsea Thatcher 

Part of the ethos of Grace Farms is to be a place where you can reflect on those questions. What is a good life? What does it mean to be human? And so we’re so thankful that the sculpture will facilitate that for the public.

And now if we zoom in because you brought us out to sort of the cosmos and the big questions, if we zoom in back to those specific materials a little bit, stone, steel and the bronze. Is there anything else you want to say about stone and sort of the natural material, perhaps even the journey of these stones?

‘“I’m fascinated with the borders between science and suspicion. All the in-betweens … I’m trying to see what reality is for me, and what it is for us all.” — Alicja Kwade, Art Review 

Alicja Kwade 

I mean they had quite a long journey and this journey started about 10,000 years ago. They’ve been taken from the north of Europe to where I am based in Berlin. So we have a beautiful name for them in German, we call them “flinger,” which means something like a found object because they’re not belonging to this landscape. They’ve been kind of traveling with the glacier 10,000 years ago … And the farmers, they were really finding these rocks on their fields.

where we knew that it was such a match because Sharon started the Design for freedom movement, which is centered on ethical procurement and transparent procurement asking the questions, where do my building materials come from? Where does my coffee come from? Where do my clothes come from? And so when we asked you where your stones come from or steel came from, you had all the answers.

Chelsea Thatcher

Where we knew that it was such a match because Sharon started the Design for freedom movement, which is centered on ethical procurement and transparent procurement asking the questions, where do my building materials come from? Where does my coffee come from? Where do my clothes come from? And so when we asked you where your stones or steel came from, you had all the answers.

Chelsea Thatcher

Is there a significance for how the steel elements fit together?

Alicja Kwade 

So I needed something to support them and I tried to do as less as possible. And so this is really developed with the engineer. So it’s kind of the max, minimum you have to do to support those heavy weights. But of course it’s also a formal sculpture and I’m designing how they interfere, how they look like in this case it seems to me it’s like a rotational system which kind of stands still. But  it looks like there’s a movement in it.

When you walk around it and you walk fast it almost seems to move a little bit.
Chelsea Thatcher

You recently wrapped up a solo exhibition at Pace with incredible sculptures and last year opened LinienLand at Storm King. Do you think about where your works will live when you’re imagining them?

Alicja Kwade 

I have some visions let’s say, but those visions sometimes are quite far away. It very much depends if it’s a commission for a specific place. So of course, then I know where it goes, where it’s going to be installed, what foundation you need. But mostly, I don’t know. A sculpture for me, it’s like a singular creature. So it has to live on its own anyways. It has to function no matter where it is. But as I said before, it’s always a surprise when you see it in a different environment because it becomes something else. It’s not becoming something else, but it just physically looks very different depending in which context, but also the landscape.

Chelsea Thatcher

Do you have any reflections about now seeing ParaPosition from inside here on the [Sanctuary] stage and outside? 

Alicja Kwade 

What I love about it when you approach the grounds here that you just see the stones kind of above the grass a little bit … I see it is like a stone and there’s a glass, but the stone is flying. I very much love this moment and I’m very glad that it’s a little bit uphill. So when you’re close to this sculpture, you’re able to see the sky through it. So you release those stones almost like in between the clouds kind of floating around … It’s like a surprise because I know the piece, but whenever I am always bit nervous when I see it’s the first time installed because you’re not sure how it’s going to be because it’s different each time.

Chelsea Thatcher

So the theme for this 10-year season is “We all build,” and within this theme is really a celebration of creativity and imagination that’s really radiating inside each of us. And also the concept of we all build connects to the commitment to see an idea through. So I would love to hear, what is it for you, what does it take for ParaPosition to grow from an idea into manifestation?

Alicja Kwade 

First of all, it needs many, many people, which is probably not visible in the first moment.

I see my role mostly about convincing. I have to convince people because it’s quite a lot. It’s heavy, you have to carry it, you have to ship, you have to store it. So it’s not something which is so beloved in the first moment. But it’s important to get everybody’s enthusiasm and to group these people and to build an idea, to share this enthusiasm, to make those things happen. And I think it’s important for everything you do in life.

“Few artists aim to make sense of the subjectivity and complexity of time and space quite like the Polish-born, complexity of time and space quite like the Polish-born, Berlin-based artist Alicja Kwade … Her practice, in a literal and figurative sense, is a sense to understand time as a ruler and shaper of our lives and of our world.” — the slowdown

Chelsea Thatcher

Can you talk more about the research process and the elements of curiosity and discovery that might sort of probe you along the way?

Alicja Kwade 

I kind of try to look how people are looking on the world and I try to figure out how would they try to get answers … And I think most people know that there is no answers. But I just try to look deeply how philosophers scientists are trying to get there, are trying to get deeper and deeper in, trying to develop more questions from some little answers. And this is what I do. So I would read about things I have no clue about quantum physics, philosophy, all these kind of things …

So instead of writing about it or making movies about it, this is my way of trying to find not answers, but trying to find questions for myself.
Chelsea Thatcher

You started a residency in Rome and you are here at Grace Farms. So can you share just a little bit about your week?

Alicja Kwade 

I’m kind of famous for doing 1,000 things in the meantime and I’m driving people crazy about it. So yeah, I just moved to Rome because I have this residency which is going to be for 10 months apparently. And I’m preparing another show in Milano, Italy next week. And then I do another show in Rome in weeks. I am always doing quite a lot of things … I need to do 1,000 things to have one outcome somehow.

Chelsea Thatcher

Is there anything as we’re closing here that you’d like to share with the audience about creativity, about imagination?

For me, creativity or creation, it’s almost everywhere. It’s just something which is only for artists. So whatever you do, I think in life it is full of creativity and it’s full of creation. I think it’s just sometimes hard to see it probably. And I know that not everybody is so privileged to be able to show that and to make its living with that. But I think truly that if you believe in something and you try to be positive about it and you try to gather people together, it is good. And it mostly works out. So I think that there’s more creativity in each job than we see in the first moment. But we are creative animals. This is what makes us human. This is something deeply in human nature and this is probably what makes us so difficult on this planet … I truly believe it’s very much implanted in everyone.

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About Grace Farms

Grace Farms is a cultural and humanitarian center in New Canaan, Connecticut that brings people together across sectors to explore nature, arts, justice, community, and faith at the SANAA-designed River building and Barns on 80 acres of publicly accessible natural landscape. Since opening in 2015, Grace Farms has welcomed 1 million visitors from around the world to experience its unique integration of arts, architecture, nature, and purpose.

As a destination for arts and culture, Grace Farms presents innovative programming in music, visual and performing arts while fostering contemplation and connection through architecture and nature. Its humanitarian work includes leading the Design for Freedom movement to eliminate forced labor in the building materials supply chain and advancing initiatives to foster more grace and peace locally and globally.

The integration of cultural programming and humanitarian action reflects Grace Farms’ collaborative approach to generating new outcomes and meaningful change.

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